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	<title>alt &#187; Sculpture</title>
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	<description>Art &#38; Design . News &#38; Links</description>
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		<title>CARNIVORES</title>
		<link>https://altblog.be/?p=6308</link>
		<comments>https://altblog.be/?p=6308#comments</comments>
		<pubDate>Fri, 20 Feb 2026 17:19:51 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Brussels]]></category>
		<category><![CDATA[exhibition]]></category>

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		<description><![CDATA[— Following his interest in carnivorous plants, Gerrit Frohne-Brinkmann explores forms that overturn familiar orders, reversing the food chain and challenging assumptions about what is “natural.” BEIGE, Brussels. 26.02.2026 – 28.03.2026.]]></description>
				<content:encoded><![CDATA[<p><a href="https://frohne-brinkmann.com/projects/carnivores-23" target="_blank"><img class="alignleft wp-image-6309" src="http://altblog.be/wp-content/uploads/2026/02/image.jpeg" alt="image" width="592" height="395" /></a>—<br />
Following his interest in carnivorous plants, <a href="https://frohne-brinkmann.com/projects/carnivores-23" target="_blank">Gerrit Frohne-Brinkmann</a> explores forms that overturn familiar orders, reversing the food chain and challenging assumptions about what is “natural.”</p>
<p><strong><a href="https://www.beige.brussels" target="_blank">BEIGE</a>, Brussels. 26.02.2026 – 28.03.2026.</strong></p>
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		<title>DUSTY DIE</title>
		<link>https://altblog.be/?p=6298</link>
		<comments>https://altblog.be/?p=6298#comments</comments>
		<pubDate>Wed, 08 Oct 2025 10:20:59 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[Leuven]]></category>

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		<description><![CDATA[— Alicja Kwade departs from scientific and philosophical and translates them into sculptures and installations that challenge gravity, time and matter. M Leuven, 10.10.2025 &#62; 22.02.2026.]]></description>
				<content:encoded><![CDATA[<p><a href="https://alicjakwade.com" target="_blank"><img class="alignleft wp-image-6299" src="http://altblog.be/wp-content/uploads/2026/02/Capture-d’écran-2026-02-08-à-11.15.56.png" alt="Capture d’écran 2026-02-08 à 11.15.56" width="592" height="444" /></a>—<br />
<a href="https://alicjakwade.com/exhibitions/dusty-die#image-1" target="_blank">Alicja Kwade</a> departs from scientific and philosophical and translates them into sculptures and installations that challenge gravity, time and matter.</p>
<p><strong><a href="https://www.mleuven.be/en/programme/alicja-kwade" target="_blank">M Leuven</a>, 10.10.2025 &gt; 22.02.2026.</strong></p>
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		<title>S̶I̶L̶E̶N̶C̶E̶</title>
		<link>https://altblog.be/?p=6280</link>
		<comments>https://altblog.be/?p=6280#comments</comments>
		<pubDate>Sun, 05 Oct 2025 11:26:57 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Peinture - Illustration]]></category>
		<category><![CDATA[Photographie]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Vidéo – Film]]></category>
		<category><![CDATA[Avignon]]></category>
		<category><![CDATA[exposition]]></category>

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		<description><![CDATA[— Imaginée à partir d’un dialogue entre les artistes, cette exposition explore les dimensions sensorielles et politiques des expériences vécues par les Sourd·e·s, les CODA (enfants entendants de parents Sourds) et leurs descendants témoins. Avec Geoffrey Badel, Arthur Gillet, Estelle Labes, Sylvanie Tendron, Max Taguet, Fleur Mautuit, Joseph Grigely et Danièle Le Moënner. La Chartreuse-Cnes Villeneuve, Avignon. 11.10.2025 &#62; 04.01.2026.]]></description>
				<content:encoded><![CDATA[<p><a href="https://www.instagram.com/josephgrigely" target="_blank"><img class="alignleft wp-image-6281" title="Joseph Grigely, fragment of a larger installation originally created for the exhibition &quot;La Belle et la Bête: Art contemporain américain&quot;" src="http://altblog.be/wp-content/uploads/2025/10/JosephGrigely.png" alt="JosephGrigely" width="592" height="458" /></a>—<br />
Imaginée à partir d’un dialogue entre les artistes, cette exposition explore les dimensions sensorielles et politiques des expériences vécues par les Sourd·e·s, les CODA (enfants entendants de parents Sourds) et leurs descendants témoins. Avec <a href="https://www.instagram.com/geoffreybadel/" target="_blank">Geoffrey Badel</a>, <a href="https://arthurgillet.com" target="_blank">Arthur Gillet</a>, <a href="https://www.instagram.com/estelle.labes/" target="_blank">Estelle Labes</a>,<a href="https://www.behance.net/sylvanietendron" target="_blank"> Sylvanie Tendron</a>, <a href="https://www.instagram.com/max_cotag/" target="_blank">Max Taguet</a>, <a href="https://www.instagram.com/fleur_mautuit/" target="_blank">Fleur Mautuit</a>,<a href="https://www.instagram.com/josephgrigely" target="_blank"> Joseph Grigely </a>et Danièle Le Moënner.</p>
<p><strong><a href="https://www.instagram.com/chartreuse_cnes/" target="_blank">La Chartreuse-Cnes Villeneuve</a>, Avignon. 11.10.2025 &gt; 04.01.2026.</strong></p>
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		<title>NOLAND / PARRINO</title>
		<link>https://altblog.be/?p=6286</link>
		<comments>https://altblog.be/?p=6286#comments</comments>
		<pubDate>Tue, 09 Sep 2025 11:45:53 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Photographie]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[New York]]></category>

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		<description><![CDATA[— Gagosian is pleased to announce an exhibition of new work by Cady Noland at the gallery’s 555 West 24th Street location in New York. A concurrent exhibition of work by Steven Parrino within the same location—staged at Noland’s invitation—places Parrino’s paintings and works on paper in conversation with Noland’s sculptures. Gagosian, New York. 10.09.2025 [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="https://cadynoland.com" target="_blank"><img class="alignleft wp-image-6287" title="© Cady Noland Photo: Maris Hutchinson, Courtesy Gagosian" src="http://altblog.be/wp-content/uploads/2025/10/image1.png" alt="image" width="592" height="474" /></a>—<br />
Gagosian is pleased to announce an exhibition of new work by <a href="https://cadynoland.com" target="_blank">Cady Noland</a> at the gallery’s 555 West 24th Street location in New York. A concurrent exhibition of work by <a href="https://gagosian.com/artists/steven-parrino/" target="_blank">Steven Parrino</a> within the same location—staged at Noland’s invitation—places Parrino’s paintings and works on paper in conversation with Noland’s sculptures.</p>
<p><strong><a href="https://gagosian.com/exhibitions/2025/cady-noland/" target="_blank">Gagosian</a>, New York. 10.09.2025 &gt; 18.10.2025.</strong></p>
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		<title>WE BETRAYED THE HORSES</title>
		<link>https://altblog.be/?p=6269</link>
		<comments>https://altblog.be/?p=6269#comments</comments>
		<pubDate>Sun, 18 May 2025 17:10:57 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Vidéo – Film]]></category>
		<category><![CDATA[Athens]]></category>
		<category><![CDATA[exhibition]]></category>

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		<description><![CDATA[— Janis Rafa explores the relationship between the human and non-human world, especially that between humans and horses. Turning to the horse as a paradigm of constructed physicality and lost identity, Rafa proposes a visual vocabulary that seeks to draw attention to our tendency to classify the non-human in terms of compatibility, productivity and efficiency, thus highlighting [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="http://altblog.be/wp-content/uploads/2025/05/image.png" target="_blank"><img class="alignleft wp-image-6270" title="Janis Rafa, The Absence of your Body has Shaped the Spectacles of our Past, 2025" src="http://altblog.be/wp-content/uploads/2025/05/image.png" alt="image" width="592" height="331" /></a>—<br />
<a href="https://www.instagram.com/janisrafa" target="_blank">Janis Rafa</a> explores the relationship between the human and non-human world, especially that between humans and horses. Turning to the horse as a paradigm of constructed physicality and lost identity, Rafa proposes a visual vocabulary that seeks to draw attention to our tendency to classify the non-human in terms of compatibility, productivity and efficiency, thus highlighting the seductive yet often malicious and sadistic bond at the heart of this age-old relationship.</p>
<p><strong><a href="https://www.emst.gr/en/exhibitions-en/janis-rafa-we-betrayed-the-horses" target="_blank">EMST</a>, Athens. 03.04.2025 – 05.10.2025.</strong></p>
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		<title>SAUROCTONE</title>
		<link>https://altblog.be/?p=6261</link>
		<comments>https://altblog.be/?p=6261#comments</comments>
		<pubDate>Fri, 04 Apr 2025 13:37:24 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[exposition]]></category>
		<category><![CDATA[Nantes]]></category>

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		<description><![CDATA[— Pour l’exposition Sauroctone au centre d’art Zoo, Yan Tomaszewski a réalisé une grande installation faite d&#8217;îlots qui déploient nombre d’éléments liés à l’historiographie des fleuves et aux mythologies qu’ils drainent en produisant notamment un vitrail figurant ce fameux saint sauroctone et en créant des sculptures hybrides en céramique et verre coloré qui proposent une imagerie [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="https://www.yantomaszewski.com/fr" target="_blank"><img class="alignleft wp-image-6262" title="Yan Tomaszewski" src="http://altblog.be/wp-content/uploads/2025/04/image.jpeg" alt="image" width="592" height="395" /></a>—<br />
Pour l’exposition <em>Sauroctone</em> au centre d’art Zoo, <a href="https://www.yantomaszewski.com/fr" target="_blank">Yan Tomaszewski</a> a réalisé une grande installation faite d&rsquo;îlots qui déploient nombre d’éléments liés à l’historiographie des fleuves et aux mythologies qu’ils drainent en produisant notamment un vitrail figurant ce fameux saint sauroctone et en créant des sculptures hybrides en céramique et verre coloré qui proposent une imagerie renouvelée de l’imaginaire fluvial.</p>
<p><strong><a href="https://zoo-cac.fr/expositions/sauroctone" target="_blank">Zoo centre d’art contemporain</a>, Nantes. 14.04.2025 &gt; 24.05.2025.</strong></p>
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		<title>OFF VOICES</title>
		<link>https://altblog.be/?p=6265</link>
		<comments>https://altblog.be/?p=6265#comments</comments>
		<pubDate>Sat, 15 Feb 2025 13:40:02 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Vidéo – Film]]></category>
		<category><![CDATA[Charleroi]]></category>
		<category><![CDATA[exposition]]></category>

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		<description><![CDATA[— Candice Breitz investit l&#8217;intégralité du musée avec un ensemble d’œuvres explorant le culte des célébrités, l’omniprésence des médias sociaux et les systèmes de privilèges de la blanchité en tant qu’instruments rivalisant pour capter notre attention. BPS22, Charleroi. 01.02.2025 &#62; 11.05.2025.]]></description>
				<content:encoded><![CDATA[<p><a href="https://vimeo.com/candicebreitz" target="_blank"><img class="alignleft wp-image-6266" src="http://altblog.be/wp-content/uploads/2025/04/Capture-d’écran-2025-04-04-à-15.45.55.png" alt="Capture d’écran 2025-04-04 à 15.45.55" width="592" height="335" /></a>—<br />
<a href="https://www.candicebreitz.net/index.html" target="_blank">Candice Breitz</a> investit l&rsquo;intégralité du musée avec un ensemble d’œuvres explorant le culte des célébrités, l’omniprésence des médias sociaux et les systèmes de privilèges de la blanchité en tant qu’instruments rivalisant pour capter notre attention.</p>
<p><strong><a href="https://www.bps22.be/fr/expositions/candice-breitz" target="_blank">BPS22</a>, Charleroi. <span class="fromDate">01.02.2025 &gt; </span><span class="toDate">11.05.2025.</span></strong></p>
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		<title>FRIENDSGROUP</title>
		<link>https://altblog.be/?p=6256</link>
		<comments>https://altblog.be/?p=6256#comments</comments>
		<pubDate>Mon, 10 Feb 2025 15:45:31 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[gallery]]></category>

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		<description><![CDATA[— The exhibition The Neoliberal Urge to Curate a Friendsgroup brings together works by Sarah Albrecht, Oliver Bleckmann, Manuel Cornelius, Sophia Gatzkan, Jill Kiddon, Luka Naujoks and Johannes Thiel and explores the neoliberal tendency to view social relationships as a strategic network &#8211; a curated portfolio of friendships, treated as a purpose-driven structure. In a [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="https://www.jillkiddon.com" target="_blank"><img class="alignleft wp-image-6257" title="Jill Kiddon" src="http://altblog.be/wp-content/uploads/2025/02/image.jpeg" alt="image" width="592" height="445" /></a>—<br />
The exhibition <a href="https://acudmachtneu.de/events/2200/the-neoliberal-urge-to-curate-a-friendsgroup/?fbclid=PAZXh0bgNhZW0CMTEAAab1JZrOIrWCHjB_JI98WHnXVzT0gqtUek26HjZ2ftLeOemo8OO2OJ_oe8o_aem_Tt0mDh-tx7dXmCNCpl_aAA" target="_blank"><em>The Neoliberal Urge to Curate a Friendsgroup</em></a> brings together works by Sarah Albrecht, <a href="http://oliverbleckmann.de" target="_blank">Oliver Bleckmann</a>, <a href="http://manuel-cornelius.com" target="_blank">Manuel Cornelius</a>, <a href="https://sophiagatzkan.com" target="_blank">Sophia Gatzkan</a>, <a href="https://www.jillkiddon.com" target="_blank">Jill Kiddon</a>, <a href="https://www.instagram.com/lukanaujoks/" target="_blank">Luka Naujoks</a> and <a href="https://johannesthiel.com" target="_blank">Johannes Thiel</a> and explores the neoliberal tendency to view social relationships as a strategic network &#8211; a curated portfolio of friendships, treated as a purpose-driven structure. In a culture dominated by self-promotion and social optimization, friendships are increasingly becoming a resource designed to yield personal benefits. Particularly in the art scene, many friendships have an &lsquo;instrumental&rsquo; character &#8211; relationships are selected on the basis of aesthetics and value.</p>
<p><strong><a href="https://acudmachtneu.de/spaces/galerie/" target="_blank">ACUD Galerie</a>, Berlin. 28.02.2025 &gt; 23.03.2025.</strong></p>
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		<title>TITUBA, WHO PROTECTS US?</title>
		<link>https://altblog.be/?p=6276</link>
		<comments>https://altblog.be/?p=6276#comments</comments>
		<pubDate>Sat, 26 Oct 2024 11:07:42 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Peinture - Illustration]]></category>
		<category><![CDATA[Photographie]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[exposition]]></category>
		<category><![CDATA[Paris]]></category>

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		<description><![CDATA[— Le point de départ de l’exposition est le roman et le personnage éponyme de Moi, Tituba, sorcière noire de Salem (1986) de Maryse Condé. Artistes : Naudline Pierre, Abigail Lucien, Rhea Dillon, Miryam Charles, Monika Emmanuelle Kazi, Naomi Lulendo, Inès Di Folco Jemni, Liz Johnson Artur, Tanoa Sasraku, Claire Zaniolo, Massabielle Brun. Curator : Amandine [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="https://www.lizjohnsonartur.co.uk" target="_blank"><img class="alignleft wp-image-6277" title=" Liz Johnson Artur ©Photo Aurélien Mole" src="http://altblog.be/wp-content/uploads/2025/10/image.png" alt="image" width="592" height="889" /></a>—<br />
Le point de départ de l’exposition est le roman et le personnage éponyme de <em>Moi, Tituba, sorcière noire de Salem</em> (1986) de <a href="https://memoire-esclavage.org/biographies/maryse-conde" target="_blank">Maryse Condé</a>.<br />
Artistes : <a href="https://www.instagram.com/cluvie/" target="_blank">Naudline Pierre</a>, <a href="https://www.abigaillucien.com" target="_blank">Abigail Lucien</a>, <a href="https://dillonrhea.com" target="_blank">Rhea Dillon</a>, <a href="https://www.instagram.com/miryam_charles/?hl=fr" target="_blank">Miryam Charles</a>, <a href="https://monikaemmanuelle.com/press" target="_blank">Monika Emmanuelle Kazi</a>, <a href="https://www.naomilulendo.com" target="_blank">Naomi Lulendo</a>, <a href="https://www.instagram.com/inesdifolcojemni/?hl=fr" target="_blank">Inès Di Folco Jemni</a>, <a href="https://www.lizjohnsonartur.co.uk" target="_blank">Liz Johnson Artur</a>, <a href="https://www.instagram.com/tanoasasraku/" target="_blank">Tanoa Sasraku</a>, <a href="https://clairezaniolo.onfabrik.com" target="_blank">Claire Zaniolo</a>, <a href="https://www.instagram.com/butterflydeadsoul/" target="_blank">Massabielle Brun</a>. Curator : <a href="https://palaisdetokyo.com/personne/amandine-nana/" target="_blank">Amandine Nana</a></p>
<p><strong><a href="https://palaisdetokyo.com/en/exposition/tituba-who-protects-us/" target="_blank">Palais de Tokyo</a>, Paris. 17.10.2024 &gt; 05.01.2025.</strong></p>
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		<title>SILENT CONVERSATION</title>
		<link>https://altblog.be/?p=6212</link>
		<comments>https://altblog.be/?p=6212#comments</comments>
		<pubDate>Thu, 05 Sep 2024 13:11:52 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Peinture - Illustration]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Bruxelles]]></category>
		<category><![CDATA[exposition]]></category>

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		<description><![CDATA[— Evelyne de Behr présente Silent Conversation, comment la terre s&#8217;est tue, un titre tiré de l&#8217;essai du philosophe David Abram, ouvrage qui a accompagné sa résidence en Espagne en 2023. Cette exposition met en lumière sa pratique artistique dans une démarche écologique. Les couleurs d&#8217;Andalousie sont le point de départ d&#8217;un retour sensible au [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="https://www.evelynedebehr.com" target="_blank"><img class="alignleft wp-image-6213" title="Evelyne de Behr" src="http://altblog.be/wp-content/uploads/2024/09/Pièce-jointe.jpeg" alt="Pièce jointe" width="592" height="725" /></a>—<br />
<a href="https://www.instagram.com/evelynedebehr/" target="_blank">Evelyne de Behr</a> présente<em> Silent Conversation, comment la terre s&rsquo;est tue</em>, un titre tiré de l&rsquo;essai du philosophe David Abram, ouvrage qui a accompagné sa résidence en Espagne en 2023. Cette exposition met en lumière sa pratique artistique dans une démarche écologique. Les couleurs d&rsquo;Andalousie sont le point de départ d&rsquo;un retour sensible au vivant.</p>
<p><strong><a href="https://www.lapartdufeu.info" target="_blank">La Part du Feu</a>, Bruxelles. 12.09.2024 &gt; 05.10.2024.</strong></p>
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