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	<title>alt &#187; Berlin</title>
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	<description>Art &#38; Design . News &#38; Links</description>
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		<title>FRIENDSGROUP</title>
		<link>https://altblog.be/?p=6256</link>
		<comments>https://altblog.be/?p=6256#comments</comments>
		<pubDate>Mon, 10 Feb 2025 15:45:31 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[gallery]]></category>

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		<description><![CDATA[— The exhibition The Neoliberal Urge to Curate a Friendsgroup brings together works by Sarah Albrecht, Oliver Bleckmann, Manuel Cornelius, Sophia Gatzkan, Jill Kiddon, Luka Naujoks and Johannes Thiel and explores the neoliberal tendency to view social relationships as a strategic network &#8211; a curated portfolio of friendships, treated as a purpose-driven structure. In a [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="https://www.jillkiddon.com" target="_blank"><img class="alignleft wp-image-6257" title="Jill Kiddon" src="http://altblog.be/wp-content/uploads/2025/02/image.jpeg" alt="image" width="592" height="445" /></a>—<br />
The exhibition <a href="https://acudmachtneu.de/events/2200/the-neoliberal-urge-to-curate-a-friendsgroup/?fbclid=PAZXh0bgNhZW0CMTEAAab1JZrOIrWCHjB_JI98WHnXVzT0gqtUek26HjZ2ftLeOemo8OO2OJ_oe8o_aem_Tt0mDh-tx7dXmCNCpl_aAA" target="_blank"><em>The Neoliberal Urge to Curate a Friendsgroup</em></a> brings together works by Sarah Albrecht, <a href="http://oliverbleckmann.de" target="_blank">Oliver Bleckmann</a>, <a href="http://manuel-cornelius.com" target="_blank">Manuel Cornelius</a>, <a href="https://sophiagatzkan.com" target="_blank">Sophia Gatzkan</a>, <a href="https://www.jillkiddon.com" target="_blank">Jill Kiddon</a>, <a href="https://www.instagram.com/lukanaujoks/" target="_blank">Luka Naujoks</a> and <a href="https://johannesthiel.com" target="_blank">Johannes Thiel</a> and explores the neoliberal tendency to view social relationships as a strategic network &#8211; a curated portfolio of friendships, treated as a purpose-driven structure. In a culture dominated by self-promotion and social optimization, friendships are increasingly becoming a resource designed to yield personal benefits. Particularly in the art scene, many friendships have an &lsquo;instrumental&rsquo; character &#8211; relationships are selected on the basis of aesthetics and value.</p>
<p><strong><a href="https://acudmachtneu.de/spaces/galerie/" target="_blank">ACUD Galerie</a>, Berlin. 28.02.2025 &gt; 23.03.2025.</strong></p>
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		<title>INCOMPLETE COMPOSITIONS</title>
		<link>https://altblog.be/?p=5894</link>
		<comments>https://altblog.be/?p=5894#comments</comments>
		<pubDate>Mon, 06 May 2019 09:25:31 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[exhibition]]></category>
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		<description><![CDATA[— Taking this dialogue as a departure point, Burçak Bingöl carries various fragments from Istanbul to Berlin and makes a visual experiment by superposing times and spaces. Zilberman Gallery, Berlin. 24.04.2019 &#62; 27.07.2019.]]></description>
				<content:encoded><![CDATA[<p><a href="https://www.burcakbingol.com/media-1"><img class="alignleft wp-image-5895" title="altblog — Burçak Bingöl" src="http://altblog.be/wp-content/uploads/2019/04/altblog-—-Burçak-Bingöl.jpeg" alt="altblog — Burçak Bingöl" width="592" height="379" /></a>—<br />
Taking this dialogue as a departure point, <a href="https://www.burcakbingol.com" target="_blank">Burçak Bingöl</a> carries various fragments from Istanbul to Berlin and makes a visual experiment by superposing times and spaces.</p>
<p><strong><a href="https://www.zilbermangallery.com" target="_blank">Zilberman Gallery</a>, Berlin. 24.04.2019 &gt; 27.07.2019.</strong></p>
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		<title>BETWEEN STATES</title>
		<link>https://altblog.be/?p=5866</link>
		<comments>https://altblog.be/?p=5866#comments</comments>
		<pubDate>Wed, 26 Dec 2018 13:17:58 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[gallery]]></category>

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		<description><![CDATA[— Creating interactions between substances that are not normally found together, Alisa Baremboym assimilates one material into another, amplifying the object’s porosity as a human membrane separating us from the outside world. Konrad Fischer Galerie, Berlin. 23.11.2018 &#8211; 26.01.2019.]]></description>
				<content:encoded><![CDATA[<p><a href="https://www.alisabaremboym.com" target="_blank"><img class="alignleft wp-image-5867" title="altblog — Baremboym" src="http://altblog.be/wp-content/uploads/2018/12/Baremboym_2018_Unit_1_Detail_mail.jpg" alt="Baremboym_2018_Unit_1_Detail_mail" width="592" height="444" /></a>—<br />
Creating interactions between substances that are not normally found together, <a href="https://www.alisabaremboym.com" target="_blank">Alisa Baremboym</a> assimilates one material into another, amplifying the object’s porosity as a human membrane separating us from the outside world.</p>
<p><strong><a href="https://www.konradfischergalerie.de/exhibitions/alisa-baremboym/show/" target="_blank">Konrad Fischer Galerie</a>, Berlin. 23.11.2018 &#8211; 26.01.2019.</strong></p>
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		<title>PRESS++ SERIES</title>
		<link>https://altblog.be/?p=5667</link>
		<comments>https://altblog.be/?p=5667#comments</comments>
		<pubDate>Sun, 02 Jul 2017 13:24:42 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Photographie]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[exposition]]></category>
		<category><![CDATA[galerie]]></category>

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		<description><![CDATA[— Images that have been published in American newspapers and magazines from the 1920s to 1970s are Thomas Ruff’s source material for his press++ series, images that in themselves have even more diverse archival origins; the police, NASA, press agencies and press departments of institutions, to name a few. From the 1930s onwards, most of [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.spruethmagers.com/exhibitions/451@@overview" target="_blank"><img class="alignleft wp-image-5668" src="http://altblog.be/wp-content/uploads/2017/07/altblog-ThomasRuff.jpg" alt="altblog-ThomasRuff" width="592" height="476" /></a>—<br />
Images that have been published in American newspapers and magazines from the 1920s to 1970s are <a href="http://www.artwiki.fr/wakka.php?wiki=ThomasRuff" target="_blank">Thomas Ruff</a>’s source material for his press++ series, images that in themselves have even more diverse archival origins; the police, NASA, press agencies and press departments of institutions, to name a few. From the 1930s onwards, most of the photographs were no longer sent by mail from the press agency to the newspapers but instead sent as a wire and were then printed out by the newspaper, therefore showing the structure of the wire transmission.</p>
<p>To produce these works, Ruff scans the front and back of each photograph and combines them digitally, taking into account the original image as well as crops, touch-ups, date stamps, scribbles and smudges. Each of these marks varies in line, colour, and implement used; a red stamp, an inky blue fingerprint, a biro squiggle. Ruff has commented how photo-editors at the newspapers had little respect for the photograph, significantly altering the look and meaning of the original with their retouching and comments. Despite how invisible the hand of the editor is typically made to seem, here they are placed front and centre.</p>
<p><strong><a href="http://www.spruethmagers.com/home/" target="_blank">SPRÜTH MAGERS</a>, Berlin. 07.07.2017 &gt; 26.08.2017.</strong></p>
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		<title>ON DEMAND</title>
		<link>https://altblog.be/?p=5633</link>
		<comments>https://altblog.be/?p=5633#comments</comments>
		<pubDate>Tue, 06 Jun 2017 13:44:44 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Peinture - Illustration]]></category>
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		<description><![CDATA[_ Pakui Hardware is the collaborative artist duo formed by Neringa Černiauskaitė and Ugnius Gelguda. In their work, the duo traces Capital traveling through bodies and materials. Exile, Berlin. 01.06.2017 &#62; 15.07.2017.]]></description>
				<content:encoded><![CDATA[<p><a href="http://exilegallery.org/exhibitions/pakui-hardware-on-demand/" target="_blank"><img class="alignleft wp-image-5634" title="altblog – Pakui Hardware – Exile Gallery Ugnius Gelguda Neringa" src="http://altblog.be/wp-content/uploads/2017/06/02-Pakui-Hardware-Exile-Gallery-Ugnius-Gelguda-Neringa-Cerniauskaite-2017-1170x780.jpg" alt="02-Pakui-Hardware-Exile-Gallery-Ugnius-Gelguda-Neringa-Cerniauskaite-2017-1170x780" width="592" height="395" /></a>_<br />
<a href="http://www.pakuihardware.org" target="_blank">Pakui Hardware</a> is the collaborative artist duo formed by Neringa Černiauskaitė and Ugnius Gelguda. In their work, the duo traces Capital traveling through bodies and materials.</p>
<p><strong><a href="http://exilegallery.org/exhibitions/pakui-hardware-on-demand/" target="_blank">Exile</a>, Berlin. 01.06.2017 &gt; 15.07.2017.</strong></p>
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		<title>FORMAL COMPLEXITY</title>
		<link>https://altblog.be/?p=5610</link>
		<comments>https://altblog.be/?p=5610#comments</comments>
		<pubDate>Mon, 20 Mar 2017 06:34:52 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[gallery]]></category>

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		<description><![CDATA[— The current exhibition at EXILE is both an intentional and intuitive dialogue between two artists : Beatrice Balcou and Kazuko Miyamoto, from different generations, yet with a similar sense of observing the world in its formal and relational complexity. Exile Gallery, Berlin. 24.03.2017 &#62; 15.04.2017.]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.beatricebalcou.com"><img class="alignleft wp-image-5611" src="http://altblog.be/wp-content/uploads/2017/03/altblog-Impression-Placebo_III-Beatrice-Balcou-2016.jpg" alt="altblog -Impression Placebo_III Beatrice Balcou 2016" width="592" height="383" /></a>—<br />
The current exhibition at <a href="http://exilegallery.org/exhibitions/kazuko-miyamoto-beatrice-balcou/" target="_blank">EXILE</a> is both an intentional and intuitive dialogue between two artists : <a href="http://www.beatricebalcou.com/#" target="_blank">Beatrice Balcou</a> and Kazuko Miyamoto, from different generations, yet with a similar sense of observing the world in its formal and relational complexity.</p>
<p><strong><a href="http://exilegallery.org" target="_blank">Exile Gallery</a>, Berlin. 24.03.2017 &gt; 15.04.2017.</strong></p>
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		<title>SCHLAG</title>
		<link>https://altblog.be/?p=4350</link>
		<comments>https://altblog.be/?p=4350#comments</comments>
		<pubDate>Mon, 20 Aug 2012 10:12:51 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[exposition]]></category>

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		<description><![CDATA[The sculptural installations and drawings of Margrét H. Blöndal have a fragile, fleeting effect and yet are strangely compelling. Galerie Thomas Fischer, Berlin. 08.09.2012 &#62; 30.10.2012.]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.margrethblondal.net" target="_blank"><img class="alignleft size-full wp-image-4351" style="margin-top: 0px; margin-bottom: 20px;" title="altblog – Margrét H. Blöndal – Touching" src="http://altblog.be/wp-content/uploads/2012/08/altblog-–-Margrét-H.-Blöndal-–-Touching.jpg" alt="" width="592" height="395" /></a>The sculptural installations and drawings of <a href="http://www.margrethblondal.net/touching.html" target="_blank">Margrét H. Blöndal</a> have a fragile, fleeting effect and yet are strangely compelling.</p>
<p><strong><a href="http://galeriethomasfischer.de" target="_blank">Galerie Thomas Fischer</a>, Berlin. 08.09.2012 &gt; 30.10.2012.</strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
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		<title>PUSHY KISSER</title>
		<link>https://altblog.be/?p=3959</link>
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		<pubDate>Tue, 31 Jan 2012 05:40:47 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[exposition]]></category>
		<category><![CDATA[galerie]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Rotterdam]]></category>

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		<description><![CDATA[« Usant d&#8217;une palette clairement empruntée au domaine de la décoration, les œuvres de George Henry Longly ancrent l&#8217;intérêt de l&#8217;artiste dans une forme de souillage de la pureté moderniste en convoquant des références esthétiques dépassées au design post-moderne et aux intérieurs domestiques. » (Wendy Vogel) Lüttgenmeijer, Berlin. 24.02.2012 &#62; 14.04.2012 + Art Rotterdam. 08.02.2012 &#62; [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.georgehenrylongly.com/artworks_10.html" target="_blank"><img class="alignleft size-full wp-image-3960" style="margin-top: 0px; margin-bottom: 20px;" title="altblog – George Henry Longly – 2011" src="http://altblog.be/wp-content/uploads/2012/01/altblog-–-George-Henry-Longly.jpg" alt="" width="592" height="396" /></a>« Usant d&rsquo;une palette clairement empruntée au domaine de la décoration, les œuvres de <a href="http://www.georgehenrylongly.com/white-goods-for-living.html" target="_blank">George Henry Longly</a> ancrent l&rsquo;intérêt de l&rsquo;artiste dans une forme de souillage de la pureté moderniste en convoquant des références esthétiques dépassées au design post-moderne et aux intérieurs domestiques. » (Wendy Vogel)</p>
<p><strong><a href="http://www.luettgenmeijer.com">Lüttgenmeijer</a>, Berlin. 24.02.2012 &gt; 14.04.2012 </strong><strong>+ <a href="http://www.artrotterdam.nl/" target="_blank">Art Rotterdam</a>. 08.02.2012 &gt; 12.02.2012<br />
<a href="http://www.galeriechezvalentin.com/fr/expositions/2012/Vanille/index.fr.php" target="_blank">Chez Valentin</a>, Paris. 14.01.2011 &gt; 10.03.2012 avec <a href="http://www.nicolasdeshayes.net/website2011/w/Precursor/Precursor_slide.html" target="_blank">Nicolas Deshayes</a></strong></p>
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		<title>FORTUNE FAVOURS THE BRAVE</title>
		<link>https://altblog.be/?p=3869</link>
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		<pubDate>Sat, 03 Dec 2011 11:35:34 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Graphisme]]></category>
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		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[exposition]]></category>

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		<description><![CDATA[The exhibition is associated with a zine that has been produced for and by THE BAKERY and for which selected artists interpreted the saying FORTUNE FAVOURS THE BRAVE. Selection of Websites: Ralf Brück, Miguel Ferraz, Aude Jamier, Christina Oswald,  Tobias Röttger. THE BAKERY, Berlin. 09.12.2011 &#62; 21.12.2011]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.irritaction.com/"><img class="alignleft size-full wp-image-3870" style="margin-top: 0px; margin-bottom: 20px;" title="altblog – Christina Oswald  – Street" src="http://altblog.be/wp-content/uploads/2011/12/altblog-–-Christina-Oswald-–-Street.jpg" alt="" width="592" height="395" /></a>The exhibition is associated with a zine that has been produced for and by <a href="http://www.thebakery.de/" target="_blank">THE BAKERY</a> and for which selected artists interpreted the saying <em>FORTUNE FAVOURS THE BRAVE</em>. Selection of Websites: <a href="http://www.ralfbrueck.com/index.php?/pics/2011-distorsion/" target="_blank">Ralf Brück</a>, <a href="http://www.miguelferraz.com/index.php?/jobs/where-the-city-sleeps/" target="_blank">Miguel Ferraz</a>, <a href="http://www.audejamier.com/" target="_blank">Aude Jamier</a>, <a href="http://www.irritaction.com/" target="_blank">Christina Oswald</a>,  <a href="http://www.tobiasroettger.de/" target="_blank">Tobias Röttger</a>.</p>
<p><strong><a href="http://www.thebakery.de/" target="_blank">THE BAKERY</a>, Berlin. 09.12.2011 &gt; 21.12.2011</strong></p>
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		<title>VAKUUMRESONANZ — LAST DAYS</title>
		<link>https://altblog.be/?p=3708</link>
		<comments>https://altblog.be/?p=3708#comments</comments>
		<pubDate>Sat, 24 Sep 2011 06:50:00 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Photographie]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[exposition]]></category>

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		<description><![CDATA[Vera Hofmann builds the objects spontaneously. Some go through a process, some are just there. The act of photography helps to record time – to understand the dichotomy of intuition and intellect. See also the Was bleibt galerie. Pixel Grain, Berlin. 19.08.2011 &#62; 27.09.2011.]]></description>
				<content:encoded><![CDATA[<p><a href="http://verahofmann.de/vakuumresonanz_galerie.html"><img class="alignleft size-full wp-image-3709" style="margin-top: 0px; margin-bottom: 20px;" title="alt – Vera Hofmann – Vakuumresonanz" src="http://altblog.be/wp-content/uploads/2011/09/Vakuumresonanz.jpg" alt="" width="592" height="474" /></a><a href="http://verahofmann.de/preview.html" target="_blank">Vera Hofmann</a> builds the objects spontaneously. Some go through a process, some are just there. The act of photography helps to record time – to understand the dichotomy of intuition and intellect. See also the Was bleibt <a href="http://verahofmann.de/was_bleibt_galerie.html" target="_blank">galerie</a>.</p>
<p><strong><a href="http://www.pixelgrain.com" target="_blank">Pixel Grain</a>, Berlin. 19.08.2011 &gt; 27.09.2011.</strong></p>
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