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	<title>alt &#187; exhibition</title>
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		<title>HOW WE FIND HER</title>
		<link>https://altblog.be/?p=6314</link>
		<comments>https://altblog.be/?p=6314#comments</comments>
		<pubDate>Wed, 25 Mar 2026 08:12:19 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Peinture - Illustration]]></category>
		<category><![CDATA[Photographie]]></category>
		<category><![CDATA[Vidéo – Film]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[Leuven]]></category>

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		<description><![CDATA[— Through a lens-based practice spanning narrative and experimental filmmaking, video and installation art, photography and writing, Elisabeth Subrin has repeatedly returned to the knotty questions of women’s representation and its tangled relationship with broader social and political forces. Stuk, Leuven. 25.03.2026 &#62; 24.05.2026.]]></description>
				<content:encoded><![CDATA[<p><a href="https://elisabethsubrin.com" target="_blank"><img class="alignleft wp-image-6315" title="altblog_ElisabethSubrin" src="http://altblog.be/wp-content/uploads/2026/05/55211224501_f3100131a4_c.jpg" alt="55211224501_f3100131a4_c" width="592" height="474" /></a><br />
—<br />
Through a lens-based practice spanning narrative and experimental filmmaking, video and installation art, photography and writing, <a href="https://elisabethsubrin.com" target="_blank">Elisabeth Subrin</a> has repeatedly returned to the knotty questions of women’s representation and its tangled relationship with broader social and political forces.</p>
<p><strong><a href="https://www.stuk.be/en/program/how-we-find-her" target="_blank">Stuk</a>, Leuven. 25.03.2026 &gt; 24.05.2026.</strong></p>
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		<title>PROBLEMS AND OTHER STORIES</title>
		<link>https://altblog.be/?p=6304</link>
		<comments>https://altblog.be/?p=6304#comments</comments>
		<pubDate>Sat, 21 Feb 2026 09:37:44 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Photographie]]></category>
		<category><![CDATA[Vidéo – Film]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[gallery]]></category>
		<category><![CDATA[Paris]]></category>

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		<description><![CDATA[— Collier Schorr’s new exhibition Problems and other stories brings together photographs, collages, notes, drawings and video produced over the past seven years that reconsider who an artwork is for, the multitude of places people belong and the way Schorr encounters different worlds. Modern Art, Paris. 05.03.2026 – 04.04.2026.]]></description>
				<content:encoded><![CDATA[<p><a href="https://www.instagram.com/collierschorrstudio" target="_blank"><img class="alignleft wp-image-6305" src="http://altblog.be/wp-content/uploads/2026/02/image.png" alt="image" width="592" height="767" /></a>—<br />
<a href="https://www.instagram.com/collierschorrstudio" target="_blank">Collier Schorr’</a>s new exhibition <a href="https://www.modernart.net/en/exhibitions/collier-schorr-2026" target="_blank"><em>Problems and other stories</em></a> brings together photographs, collages, notes, drawings and video produced over the past seven years that reconsider who an artwork is for, the multitude of places people belong and the way Schorr encounters different worlds.</p>
<p><strong><a href="https://www.modernart.net" target="_blank">Modern Art</a>, Paris. 05.03.2026 – 04.04.2026.</strong></p>
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		<title>CARNIVORES</title>
		<link>https://altblog.be/?p=6308</link>
		<comments>https://altblog.be/?p=6308#comments</comments>
		<pubDate>Fri, 20 Feb 2026 17:19:51 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Brussels]]></category>
		<category><![CDATA[exhibition]]></category>

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		<description><![CDATA[— Following his interest in carnivorous plants, Gerrit Frohne-Brinkmann explores forms that overturn familiar orders, reversing the food chain and challenging assumptions about what is “natural.” BEIGE, Brussels. 26.02.2026 – 28.03.2026.]]></description>
				<content:encoded><![CDATA[<p><a href="https://frohne-brinkmann.com/projects/carnivores-23" target="_blank"><img class="alignleft wp-image-6309" src="http://altblog.be/wp-content/uploads/2026/02/image.jpeg" alt="image" width="592" height="395" /></a>—<br />
Following his interest in carnivorous plants, <a href="https://frohne-brinkmann.com/projects/carnivores-23" target="_blank">Gerrit Frohne-Brinkmann</a> explores forms that overturn familiar orders, reversing the food chain and challenging assumptions about what is “natural.”</p>
<p><strong><a href="https://www.beige.brussels" target="_blank">BEIGE</a>, Brussels. 26.02.2026 – 28.03.2026.</strong></p>
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		<title>DUSTY DIE</title>
		<link>https://altblog.be/?p=6298</link>
		<comments>https://altblog.be/?p=6298#comments</comments>
		<pubDate>Wed, 08 Oct 2025 10:20:59 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[Leuven]]></category>

		<guid isPermaLink="false">http://altblog.be/?p=6298</guid>
		<description><![CDATA[— Alicja Kwade departs from scientific and philosophical and translates them into sculptures and installations that challenge gravity, time and matter. M Leuven, 10.10.2025 &#62; 22.02.2026.]]></description>
				<content:encoded><![CDATA[<p><a href="https://alicjakwade.com" target="_blank"><img class="alignleft wp-image-6299" src="http://altblog.be/wp-content/uploads/2026/02/Capture-d’écran-2026-02-08-à-11.15.56.png" alt="Capture d’écran 2026-02-08 à 11.15.56" width="592" height="444" /></a>—<br />
<a href="https://alicjakwade.com/exhibitions/dusty-die#image-1" target="_blank">Alicja Kwade</a> departs from scientific and philosophical and translates them into sculptures and installations that challenge gravity, time and matter.</p>
<p><strong><a href="https://www.mleuven.be/en/programme/alicja-kwade" target="_blank">M Leuven</a>, 10.10.2025 &gt; 22.02.2026.</strong></p>
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		<title>NOLAND / PARRINO</title>
		<link>https://altblog.be/?p=6286</link>
		<comments>https://altblog.be/?p=6286#comments</comments>
		<pubDate>Tue, 09 Sep 2025 11:45:53 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Photographie]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[New York]]></category>

		<guid isPermaLink="false">http://altblog.be/?p=6286</guid>
		<description><![CDATA[— Gagosian is pleased to announce an exhibition of new work by Cady Noland at the gallery’s 555 West 24th Street location in New York. A concurrent exhibition of work by Steven Parrino within the same location—staged at Noland’s invitation—places Parrino’s paintings and works on paper in conversation with Noland’s sculptures. Gagosian, New York. 10.09.2025 [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="https://cadynoland.com" target="_blank"><img class="alignleft wp-image-6287" title="© Cady Noland Photo: Maris Hutchinson, Courtesy Gagosian" src="http://altblog.be/wp-content/uploads/2025/10/image1.png" alt="image" width="592" height="474" /></a>—<br />
Gagosian is pleased to announce an exhibition of new work by <a href="https://cadynoland.com" target="_blank">Cady Noland</a> at the gallery’s 555 West 24th Street location in New York. A concurrent exhibition of work by <a href="https://gagosian.com/artists/steven-parrino/" target="_blank">Steven Parrino</a> within the same location—staged at Noland’s invitation—places Parrino’s paintings and works on paper in conversation with Noland’s sculptures.</p>
<p><strong><a href="https://gagosian.com/exhibitions/2025/cady-noland/" target="_blank">Gagosian</a>, New York. 10.09.2025 &gt; 18.10.2025.</strong></p>
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		<title>WE BETRAYED THE HORSES</title>
		<link>https://altblog.be/?p=6269</link>
		<comments>https://altblog.be/?p=6269#comments</comments>
		<pubDate>Sun, 18 May 2025 17:10:57 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Vidéo – Film]]></category>
		<category><![CDATA[Athens]]></category>
		<category><![CDATA[exhibition]]></category>

		<guid isPermaLink="false">http://altblog.be/?p=6269</guid>
		<description><![CDATA[— Janis Rafa explores the relationship between the human and non-human world, especially that between humans and horses. Turning to the horse as a paradigm of constructed physicality and lost identity, Rafa proposes a visual vocabulary that seeks to draw attention to our tendency to classify the non-human in terms of compatibility, productivity and efficiency, thus highlighting [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="http://altblog.be/wp-content/uploads/2025/05/image.png" target="_blank"><img class="alignleft wp-image-6270" title="Janis Rafa, The Absence of your Body has Shaped the Spectacles of our Past, 2025" src="http://altblog.be/wp-content/uploads/2025/05/image.png" alt="image" width="592" height="331" /></a>—<br />
<a href="https://www.instagram.com/janisrafa" target="_blank">Janis Rafa</a> explores the relationship between the human and non-human world, especially that between humans and horses. Turning to the horse as a paradigm of constructed physicality and lost identity, Rafa proposes a visual vocabulary that seeks to draw attention to our tendency to classify the non-human in terms of compatibility, productivity and efficiency, thus highlighting the seductive yet often malicious and sadistic bond at the heart of this age-old relationship.</p>
<p><strong><a href="https://www.emst.gr/en/exhibitions-en/janis-rafa-we-betrayed-the-horses" target="_blank">EMST</a>, Athens. 03.04.2025 – 05.10.2025.</strong></p>
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		<title>SKULL FUCK</title>
		<link>https://altblog.be/?p=6253</link>
		<comments>https://altblog.be/?p=6253#comments</comments>
		<pubDate>Wed, 15 Jan 2025 18:19:10 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Peinture - Illustration]]></category>
		<category><![CDATA[Photographie]]></category>
		<category><![CDATA[Vidéo – Film]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[gallery]]></category>
		<category><![CDATA[London]]></category>

		<guid isPermaLink="false">http://altblog.be/?p=6253</guid>
		<description><![CDATA[— Matthias Groebel has never believed in the concept of content. By doing so, Groebel frees his works from the constraints of representation. Across his career and different media, he has repeatedly created parameters and conditions that allow for an intuitive mental workspace. Modern Art, London. 17.01.2025 &#62; 22.02.2025.]]></description>
				<content:encoded><![CDATA[<p><a href="https://plastermagazine.com/interviews/matthias-groebel-gathering-london-exhibition/" target="_blank"><img class="alignleft wp-image-6254" title="Matthias Groebel Studio, Cologne" src="http://altblog.be/wp-content/uploads/2025/01/image1.png" alt="image" width="592" height="416" /></a>—<br />
<a href="https://www.instagram.com/matthiasgroebel/" target="_blank">Matthias Groebel</a> has never believed in the concept of content. By doing so, Groebel frees his works from the constraints of representation. Across his career and different media, he has repeatedly created parameters and conditions that allow for an intuitive mental workspace.</p>
<p><strong><a href="https://www.modernart.net" target="_blank">Modern Art</a>, London. 17.01.2025 &gt; 22.02.2025.</strong></p>
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		<title>DORT: EIN GEFÜHL</title>
		<link>https://altblog.be/?p=6247</link>
		<comments>https://altblog.be/?p=6247#comments</comments>
		<pubDate>Fri, 03 Jan 2025 09:03:15 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Peinture - Illustration]]></category>
		<category><![CDATA[Bonn]]></category>
		<category><![CDATA[exhibition]]></category>

		<guid isPermaLink="false">http://altblog.be/?p=6247</guid>
		<description><![CDATA[— “The strength of Dort: ein Gefühl is its minimal curatorial framework – that red line – which allows us not just to hear what is being said, but to register Bordowitz’s true medium: not performance, poetry, or film, but presence itself, with language and, ultimately, art as its faulty witnesses.” Kristian Vistrup Madsen on Gregg Bordowitz: [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="https://bonner-kunstverein.de/documents/22/BKV_GB-w.pdf"><img class="alignleft wp-image-6248" src="http://altblog.be/wp-content/uploads/2025/01/image.png" alt="image" width="592" height="395" /></a>—<br />
“The strength of <a href="https://bonner-kunstverein.de/en/exhibitions/dort-ein-gefuhl/" target="_blank"><em>Dort: ein Gefühl</em></a> is its minimal curatorial framework – that red line – which allows us not just to hear what is being said, but to register <a href="https://www.novembermag.com/content/gregg-bordowitz" target="_blank">Bordowitz</a>’s true medium: not performance, poetry, or film, but presence itself, with language and, ultimately, art as its faulty witnesses.” <a href="https://bonner-kunstverein.de/documents/26/spike_bordowitz.pdf" target="_blank">Kristian Vistrup Madsen on Gregg Bordowitz: Nothing But Being Here (Spike Art Magazine)</a></p>
<p><strong><a href="https://bonner-kunstverein.de/en/" target="_blank">Bonner Kunstverein</a>, Bonn, 21.09.2024 &gt; 02.02.2025.</strong><br />
A second chapter of the exhibition takes place at <a href="https://camdenartcentre.org" target="_blank">Camden Art Centre</a>, London<br />
(17.01.2025 &gt; 30.03.2025).</p>
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		<title>UNLIMITED</title>
		<link>https://altblog.be/?p=6215</link>
		<comments>https://altblog.be/?p=6215#comments</comments>
		<pubDate>Mon, 02 Sep 2024 13:28:21 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Photographie]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[conceptual]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[gallery]]></category>
		<category><![CDATA[minimal]]></category>
		<category><![CDATA[Veltem-Beisem]]></category>

		<guid isPermaLink="false">http://altblog.be/?p=6215</guid>
		<description><![CDATA[— An unlimited amount of ideas, dialogues and interactions, in the conceptual and minimalistic universe of Bram Vanderbeke, David Boon, Michel Mazzoni and Mohammed Alani. 22a Gallery is an artist run gallery founded by Lisa De Greef and Luis-Manuel Lambrechts. 22a Gallery, Veltem-Beisem. 12.09.24 &#8211; 10.11.24.]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.michelmazzoniproject.com" target="_blank"><img class="alignleft wp-image-6217" title="altblog Michel Mazzoni" src="http://altblog.be/wp-content/uploads/2024/09/MM-a22.png" alt="" width="592" height="372" /></a>—<a href="http://www.michelmazzoniproject.com" target="_blank"><br />
</a>An unlimited amount of ideas, dialogues and interactions, in the conceptual and minimalistic universe of <a href="https://bramvanderbeke.com" target="_blank">Bram Vanderbeke</a>, <a href="https://davidboon.be" target="_blank">David Boon</a>, <a href="https://www.instagram.com/_michelmazzoni/" target="_blank">Michel Mazzoni</a> and <a href="https://mohammedalani.be" target="_blank">Mohammed Alani</a>. <a href="https://www.22a-gallery.com/about" target="_blank">22a Gallery</a> is an artist run gallery founded by Lisa De Greef and <a href="https://www.instagram.com/luismanuellambrechts/" target="_blank">Luis-Manuel Lambrechts</a>.</p>
<p><strong><a href="https://www.22a-gallery.com" target="_blank">22a Gallery</a>, Veltem-Beisem. 12.09.24 &#8211; 10.11.24.</strong></p>
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		<title>NEW SCULPTURES</title>
		<link>https://altblog.be/?p=6235</link>
		<comments>https://altblog.be/?p=6235#comments</comments>
		<pubDate>Thu, 22 Aug 2024 13:41:27 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[gallery]]></category>
		<category><![CDATA[Paris]]></category>

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		<description><![CDATA[— Tony Cragg has stated, ‘although it is the human figure which interests me most deeply, I have always paid great attention to natural forms.’ Thaddaeus Ropac, Paris. 07.09.2024 &#62; 10.10.2024.]]></description>
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<p><a href="https://www.tony-cragg.com" target="_blank"><img class="alignleft wp-image-6238" title="altblog Tony Cragg New Sculptures" src="http://altblog.be/wp-content/uploads/2024/09/TonyCragg-bis.png" alt="" width="592" height="453" /></a>—<br />
<a href="https://www.tony-cragg.com" target="_blank">Tony Cragg</a> has stated, ‘although it is the human figure which interests me most deeply, I have always paid great attention to natural forms.’</p>
</div>
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<p><strong><a href="https://ropac.net/exhibitions/718-tony-cragg-new-sculptures/" target="_blank">Thaddaeus Ropac</a>, Paris. 07.09.2024 &gt; 10.10.2024.</strong></p>
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