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	<title>alt &#187; gallery</title>
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	<description>Art &#38; Design . News &#38; Links</description>
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		<title>PROBLEMS AND OTHER STORIES</title>
		<link>https://altblog.be/?p=6304</link>
		<comments>https://altblog.be/?p=6304#comments</comments>
		<pubDate>Sat, 21 Feb 2026 09:37:44 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Photographie]]></category>
		<category><![CDATA[Vidéo – Film]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[gallery]]></category>
		<category><![CDATA[Paris]]></category>

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		<description><![CDATA[— Collier Schorr’s new exhibition Problems and other stories brings together photographs, collages, notes, drawings and video produced over the past seven years that reconsider who an artwork is for, the multitude of places people belong and the way Schorr encounters different worlds. Modern Art, Paris. 05.03.2026 – 04.04.2026.]]></description>
				<content:encoded><![CDATA[<p><a href="https://www.instagram.com/collierschorrstudio" target="_blank"><img class="alignleft wp-image-6305" src="http://altblog.be/wp-content/uploads/2026/02/image.png" alt="image" width="592" height="767" /></a>—<br />
<a href="https://www.instagram.com/collierschorrstudio" target="_blank">Collier Schorr’</a>s new exhibition <a href="https://www.modernart.net/en/exhibitions/collier-schorr-2026" target="_blank"><em>Problems and other stories</em></a> brings together photographs, collages, notes, drawings and video produced over the past seven years that reconsider who an artwork is for, the multitude of places people belong and the way Schorr encounters different worlds.</p>
<p><strong><a href="https://www.modernart.net" target="_blank">Modern Art</a>, Paris. 05.03.2026 – 04.04.2026.</strong></p>
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		<title>FRIENDSGROUP</title>
		<link>https://altblog.be/?p=6256</link>
		<comments>https://altblog.be/?p=6256#comments</comments>
		<pubDate>Mon, 10 Feb 2025 15:45:31 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[gallery]]></category>

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		<description><![CDATA[— The exhibition The Neoliberal Urge to Curate a Friendsgroup brings together works by Sarah Albrecht, Oliver Bleckmann, Manuel Cornelius, Sophia Gatzkan, Jill Kiddon, Luka Naujoks and Johannes Thiel and explores the neoliberal tendency to view social relationships as a strategic network &#8211; a curated portfolio of friendships, treated as a purpose-driven structure. In a [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="https://www.jillkiddon.com" target="_blank"><img class="alignleft wp-image-6257" title="Jill Kiddon" src="http://altblog.be/wp-content/uploads/2025/02/image.jpeg" alt="image" width="592" height="445" /></a>—<br />
The exhibition <a href="https://acudmachtneu.de/events/2200/the-neoliberal-urge-to-curate-a-friendsgroup/?fbclid=PAZXh0bgNhZW0CMTEAAab1JZrOIrWCHjB_JI98WHnXVzT0gqtUek26HjZ2ftLeOemo8OO2OJ_oe8o_aem_Tt0mDh-tx7dXmCNCpl_aAA" target="_blank"><em>The Neoliberal Urge to Curate a Friendsgroup</em></a> brings together works by Sarah Albrecht, <a href="http://oliverbleckmann.de" target="_blank">Oliver Bleckmann</a>, <a href="http://manuel-cornelius.com" target="_blank">Manuel Cornelius</a>, <a href="https://sophiagatzkan.com" target="_blank">Sophia Gatzkan</a>, <a href="https://www.jillkiddon.com" target="_blank">Jill Kiddon</a>, <a href="https://www.instagram.com/lukanaujoks/" target="_blank">Luka Naujoks</a> and <a href="https://johannesthiel.com" target="_blank">Johannes Thiel</a> and explores the neoliberal tendency to view social relationships as a strategic network &#8211; a curated portfolio of friendships, treated as a purpose-driven structure. In a culture dominated by self-promotion and social optimization, friendships are increasingly becoming a resource designed to yield personal benefits. Particularly in the art scene, many friendships have an &lsquo;instrumental&rsquo; character &#8211; relationships are selected on the basis of aesthetics and value.</p>
<p><strong><a href="https://acudmachtneu.de/spaces/galerie/" target="_blank">ACUD Galerie</a>, Berlin. 28.02.2025 &gt; 23.03.2025.</strong></p>
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		<title>SKULL FUCK</title>
		<link>https://altblog.be/?p=6253</link>
		<comments>https://altblog.be/?p=6253#comments</comments>
		<pubDate>Wed, 15 Jan 2025 18:19:10 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Peinture - Illustration]]></category>
		<category><![CDATA[Photographie]]></category>
		<category><![CDATA[Vidéo – Film]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[gallery]]></category>
		<category><![CDATA[London]]></category>

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		<description><![CDATA[— Matthias Groebel has never believed in the concept of content. By doing so, Groebel frees his works from the constraints of representation. Across his career and different media, he has repeatedly created parameters and conditions that allow for an intuitive mental workspace. Modern Art, London. 17.01.2025 &#62; 22.02.2025.]]></description>
				<content:encoded><![CDATA[<p><a href="https://plastermagazine.com/interviews/matthias-groebel-gathering-london-exhibition/" target="_blank"><img class="alignleft wp-image-6254" title="Matthias Groebel Studio, Cologne" src="http://altblog.be/wp-content/uploads/2025/01/image1.png" alt="image" width="592" height="416" /></a>—<br />
<a href="https://www.instagram.com/matthiasgroebel/" target="_blank">Matthias Groebel</a> has never believed in the concept of content. By doing so, Groebel frees his works from the constraints of representation. Across his career and different media, he has repeatedly created parameters and conditions that allow for an intuitive mental workspace.</p>
<p><strong><a href="https://www.modernart.net" target="_blank">Modern Art</a>, London. 17.01.2025 &gt; 22.02.2025.</strong></p>
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		<title>UNLIMITED</title>
		<link>https://altblog.be/?p=6215</link>
		<comments>https://altblog.be/?p=6215#comments</comments>
		<pubDate>Mon, 02 Sep 2024 13:28:21 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Photographie]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[conceptual]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[gallery]]></category>
		<category><![CDATA[minimal]]></category>
		<category><![CDATA[Veltem-Beisem]]></category>

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		<description><![CDATA[— An unlimited amount of ideas, dialogues and interactions, in the conceptual and minimalistic universe of Bram Vanderbeke, David Boon, Michel Mazzoni and Mohammed Alani. 22a Gallery is an artist run gallery founded by Lisa De Greef and Luis-Manuel Lambrechts. 22a Gallery, Veltem-Beisem. 12.09.24 &#8211; 10.11.24.]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.michelmazzoniproject.com" target="_blank"><img class="alignleft wp-image-6217" title="altblog Michel Mazzoni" src="http://altblog.be/wp-content/uploads/2024/09/MM-a22.png" alt="" width="592" height="372" /></a>—<a href="http://www.michelmazzoniproject.com" target="_blank"><br />
</a>An unlimited amount of ideas, dialogues and interactions, in the conceptual and minimalistic universe of <a href="https://bramvanderbeke.com" target="_blank">Bram Vanderbeke</a>, <a href="https://davidboon.be" target="_blank">David Boon</a>, <a href="https://www.instagram.com/_michelmazzoni/" target="_blank">Michel Mazzoni</a> and <a href="https://mohammedalani.be" target="_blank">Mohammed Alani</a>. <a href="https://www.22a-gallery.com/about" target="_blank">22a Gallery</a> is an artist run gallery founded by Lisa De Greef and <a href="https://www.instagram.com/luismanuellambrechts/" target="_blank">Luis-Manuel Lambrechts</a>.</p>
<p><strong><a href="https://www.22a-gallery.com" target="_blank">22a Gallery</a>, Veltem-Beisem. 12.09.24 &#8211; 10.11.24.</strong></p>
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		<title>WHEN IT WAS DARK&#8230;</title>
		<link>https://altblog.be/?p=6193</link>
		<comments>https://altblog.be/?p=6193#comments</comments>
		<pubDate>Sun, 01 Sep 2024 11:58:49 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Peinture - Illustration]]></category>
		<category><![CDATA[Brussels]]></category>
		<category><![CDATA[gallery]]></category>
		<category><![CDATA[Painting]]></category>

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		<description><![CDATA[— “Drawing formally upon still life, portraiture, and landscape painting while occasionally incorporating elements of assemblage, Arisa Yoshioka’s narrative tableaux interrogate the narrow distance that differentiates the material world from the limitlessness of our dreams.” Martin Germann Gladstone, Brussels. 11.09.2024 &#62; 12.10.2024.]]></description>
				<content:encoded><![CDATA[<p><a href="https://www.instagram.com/thediamondsonthewater/" target="_blank"><img class="alignleft wp-image-6194" title="altblog — Arisa Yoshioka —  Las Vegas — 2024" src="http://altblog.be/wp-content/uploads/2024/09/Capture-d’écran-2024-09-08-à-13.53.06.png" alt="Capture d’écran 2024-09-08 à 13.53.06" width="592" height="394" /></a>—<br />
“Drawing formally upon still life, portraiture, and landscape painting while occasionally incorporating elements of assemblage, <a href="https://www.instagram.com/thediamondsonthewater/" target="_blank">Arisa Yoshioka</a>’s narrative tableaux interrogate the narrow distance that differentiates the material world from the limitlessness of our dreams.” Martin Germann</p>
<p><strong><a href="https://www.gladstonegallery.com/exhibition/13216/when-it-was-dark-i-called-and-you-came/info" target="_blank">Gladstone</a>, Brussels. 11.09.2024 &gt; 12.10.2024.</strong></p>
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		<title>NEW SCULPTURES</title>
		<link>https://altblog.be/?p=6235</link>
		<comments>https://altblog.be/?p=6235#comments</comments>
		<pubDate>Thu, 22 Aug 2024 13:41:27 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[gallery]]></category>
		<category><![CDATA[Paris]]></category>

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		<description><![CDATA[— Tony Cragg has stated, ‘although it is the human figure which interests me most deeply, I have always paid great attention to natural forms.’ Thaddaeus Ropac, Paris. 07.09.2024 &#62; 10.10.2024.]]></description>
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<p><a href="https://www.tony-cragg.com" target="_blank"><img class="alignleft wp-image-6238" title="altblog Tony Cragg New Sculptures" src="http://altblog.be/wp-content/uploads/2024/09/TonyCragg-bis.png" alt="" width="592" height="453" /></a>—<br />
<a href="https://www.tony-cragg.com" target="_blank">Tony Cragg</a> has stated, ‘although it is the human figure which interests me most deeply, I have always paid great attention to natural forms.’</p>
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</div>
</div>
<p><strong><a href="https://ropac.net/exhibitions/718-tony-cragg-new-sculptures/" target="_blank">Thaddaeus Ropac</a>, Paris. 07.09.2024 &gt; 10.10.2024.</strong></p>
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		<title>BETWEEN ART AND ARCHITECTURE</title>
		<link>https://altblog.be/?p=6161</link>
		<comments>https://altblog.be/?p=6161#comments</comments>
		<pubDate>Sat, 11 Nov 2023 11:06:04 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Photographie]]></category>
		<category><![CDATA[gallery]]></category>
		<category><![CDATA[Ostende]]></category>

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		<description><![CDATA[— valerie_troost gallery pays special attention to the relationships that the artwork enters into with the spatial context in which it is displayed and with the people and things with which it shares that space and opens its doors with an exhibition of Charl van Ark and Sine Van Menxel. valerie_troost gallery, Oostende, 26.11.2023 &#62; [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="https://charlvanark.nl/werk/" target="_blank"><img class="alignleft wp-image-6162" title=" Atelieropname, Carl van Ark" src="http://altblog.be/wp-content/uploads/2023/11/image.png" alt="image" width="592" height="415" /></a>—<br />
<a href="https://www.valerietraan.be/valerie-troost" target="_blank">valerie_troost gallery</a> pays special attention to the relationships that the artwork enters into with the spatial context in which it is displayed and with the people and things with which it shares that space and opens its doors with an exhibition of <a href="https://charlvanark.nl/werk/" target="_blank">Charl van Ark</a> and <a href="https://sinevanmenxel.be" target="_blank">Sine Van Menxel</a>.</p>
<p><strong><a href="https://www.valerietraan.be/valerie-troost" target="_blank">valerie_troost gallery</a>, Oostende, 26.11.2023 &gt; 07.01.2024.</strong></p>
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		<title>THINGS I SAW AT NIGHT</title>
		<link>https://altblog.be/?p=6142</link>
		<comments>https://altblog.be/?p=6142#comments</comments>
		<pubDate>Fri, 19 May 2023 12:41:27 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Peinture - Illustration]]></category>
		<category><![CDATA[Photographie]]></category>
		<category><![CDATA[Vidéo – Film]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[gallery]]></category>
		<category><![CDATA[London]]></category>

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		<description><![CDATA[— Frida Orupabo’s work synthesises fragments of bodies to reconstruct narratives and imagine new configurations of subjectivity denied by colonial legacies. Modern Art, London. 24.04.203 &#62; 20.05.2023.]]></description>
				<content:encoded><![CDATA[<p><a href="https://fridaorupabo.com"><img class="alignleft wp-image-6143" src="http://altblog.be/wp-content/uploads/2023/05/Capture-d’écran-2023-05-19-à-14.37.41.png" alt="Capture d’écran 2023-05-19 à 14.37.41" width="592" height="432" /></a><br />
—<br />
<a href="https://fridaorupabo.com" target="_blank">Frida Orupabo</a>’s work synthesises fragments of bodies to reconstruct narratives and imagine new configurations of subjectivity denied by colonial legacies.</p>
<p><strong><a href="https://modernart.net/exhibitions/frida-orupabo-things-i-saw-at-night" target="_blank">Modern Art</a>, London. 24.04.203 &gt; 20.05.2023.</strong></p>
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		<title>RECENT PAINTING</title>
		<link>https://altblog.be/?p=6138</link>
		<comments>https://altblog.be/?p=6138#comments</comments>
		<pubDate>Sun, 02 Apr 2023 16:46:54 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Peinture - Illustration]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Brussels]]></category>
		<category><![CDATA[gallery]]></category>

		<guid isPermaLink="false">http://altblog.be/?p=6138</guid>
		<description><![CDATA[— The exhibition is composed of pages from monographic art books which suffered damage by water and time. They were subsequently professionally restored by Béatrice Balcou with the help of two students from the restoration department of La Cambre. The project focusses on the restoration of the reproduction of a painting. BEIGE, Brussels. 31.03.2023 &#62; 06.05.2023.]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.beatricebalcou.com" target="_blank"><img class="alignleft wp-image-6139" src="http://altblog.be/wp-content/uploads/2023/04/BeatriceBalcou-Agnes-Martin.png" alt="BeatriceBalcou-Agnes-Martin" width="592" height="364" /></a>—<br />
The exhibition is composed of pages from monographic art books which suffered damage by water and time. They were subsequently professionally restored by <a href="http://www.beatricebalcou.com" target="_blank">Béatrice Balcou</a> with the help of two students from the restoration department of La Cambre. The project focusses on the restoration of the reproduction of a painting.</p>
<p><strong><a href="http://www.beige.brussels/" target="_blank">BEIGE</a>, Brussels. 31.03.2023 &gt; 06.05.2023.</strong></p>
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		<title>FRUITS OF LABOR</title>
		<link>https://altblog.be/?p=6132</link>
		<comments>https://altblog.be/?p=6132#comments</comments>
		<pubDate>Mon, 27 Feb 2023 12:28:53 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Peinture - Illustration]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Amsterdam]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[gallery]]></category>

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		<description><![CDATA[— With a practice that is deeply interwoven into her everyday experience, Ruth van Beek looks inwards at how her vast archive works. In Mariken Wessels’ new series of sculptures of Mama and collage works The Sculptor, it is the female body that becomes matter. The Ravestijn Gallery, Amsterdam. 11.03.2023 &#62; 22.04.2023.]]></description>
				<content:encoded><![CDATA[<p><a href="https://www.theravestijngallery.com/exhibitions/140-fruits-of-labor-ruth-van-beek-mariken-wessels/"><img class="alignleft wp-image-6133" src="http://altblog.be/wp-content/uploads/2023/02/image.png" alt="image" width="592" height="395" /></a>—<br />
With a practice that is deeply interwoven into her everyday experience, <a href="http://www.ruthvanbeek.com" target="_blank">Ruth van Beek</a> looks inwards at how her vast archive works.</p>
<p>In <a href="http://www.marikenwessels.com/control/PagesHandler.php?page_id=13&amp;category_id=14" target="_blank">Mariken Wessels</a>’ new series of sculptures of <em>Mama</em> and collage works <em>The Sculptor</em>, it is the female body that becomes matter.</p>
<p><strong><a href="https://www.theravestijngallery.com" target="_blank">The Ravestijn Gallery</a>, Amsterdam. 11.03.2023 &gt; 22.04.2023.</strong></p>
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