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	<title>alt &#187; Paris</title>
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		<title>PROBLEMS AND OTHER STORIES</title>
		<link>https://altblog.be/?p=6304</link>
		<comments>https://altblog.be/?p=6304#comments</comments>
		<pubDate>Sat, 21 Feb 2026 09:37:44 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
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		<description><![CDATA[— Collier Schorr’s new exhibition Problems and other stories brings together photographs, collages, notes, drawings and video produced over the past seven years that reconsider who an artwork is for, the multitude of places people belong and the way Schorr encounters different worlds. Modern Art, Paris. 05.03.2026 – 04.04.2026.]]></description>
				<content:encoded><![CDATA[<p><a href="https://www.instagram.com/collierschorrstudio" target="_blank"><img class="alignleft wp-image-6305" src="http://altblog.be/wp-content/uploads/2026/02/image.png" alt="image" width="592" height="767" /></a>—<br />
<a href="https://www.instagram.com/collierschorrstudio" target="_blank">Collier Schorr’</a>s new exhibition <a href="https://www.modernart.net/en/exhibitions/collier-schorr-2026" target="_blank"><em>Problems and other stories</em></a> brings together photographs, collages, notes, drawings and video produced over the past seven years that reconsider who an artwork is for, the multitude of places people belong and the way Schorr encounters different worlds.</p>
<p><strong><a href="https://www.modernart.net" target="_blank">Modern Art</a>, Paris. 05.03.2026 – 04.04.2026.</strong></p>
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		<title>DO YOU BOOK</title>
		<link>https://altblog.be/?p=6290</link>
		<comments>https://altblog.be/?p=6290#comments</comments>
		<pubDate>Wed, 26 Nov 2025 16:58:01 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Graphisme]]></category>
		<category><![CDATA[booklaunch]]></category>
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		<description><![CDATA[— La soirée de lancement en France de DO YOU BOOK d’Estelle Labes, format poche — alt editions —se déroulera le jeudi 27 novembre 2025 de 19h à 22h à la librairie cahier central, 26 rue du château d&#8217;eau à Paris. 19:30: Lecture performée par Estelle Labes, accessible aux personnes signantes, conçue en fonction du lieu. DO YOU BOOK est un [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="https://alteditions.com/product/do-you-book/" target="_blank"><img class="alignleft wp-image-6291" title="alteditions — DO YOU BOOK Estelle Labes" src="http://altblog.be/wp-content/uploads/2025/11/CV2510_Estelle-Website-Cover.png" alt="CV2510_Estelle-Website-Cover" width="592" height="395" /></a>—<br />
La soirée de lancement en France de <em><a href="https://alteditions.com/product/do-you-book/" target="_blank">DO YOU BOOK</a> </em>d’<a href="https://www.instagram.com/estelle.labes/" target="_blank">Estelle Labes</a><em>,</em> format poche — alt editions —se déroulera le jeudi 27 novembre 2025 de 19h à 22h à la librairie <a href="https://cahiercentral.com/pages/la-librairie" target="_blank">cahier central</a>, 26 rue du château d&rsquo;eau à Paris. <strong>19:30</strong>: Lecture performée par <a href="https://www.instagram.com/estelle.labes/" target="_blank">Estelle Labes</a>, accessible aux personnes signantes, conçue en fonction du lieu.</p>
<p><em><a href="https://alteditions.com/product/do-you-book/" target="_blank">DO YOU BOOK</a></em> est un objet-livre performatif dont le sujet est le livre lui-même et dont le.a lecteur.ice est le.a narrateur.ice. Il a été conçu comme un espace d’exposition que l’on parcourt au gré des interactions opérées avec le livre : page après page. Chaque page est pensée comme un espace à part entière et invite à une réflexion ou une action. Le.a lecteur.ice est invité.e à sentir, à performer ou à « solutionner » cet espace réflexif et formel.</p>
<p><strong><a href="https://cahiercentral.com" target="_blank">cahier central</a>, 26 rue du château d&rsquo;eau, 75010 Paris. 27.11.2025.</strong></p>
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		<title>TITUBA, WHO PROTECTS US?</title>
		<link>https://altblog.be/?p=6276</link>
		<comments>https://altblog.be/?p=6276#comments</comments>
		<pubDate>Sat, 26 Oct 2024 11:07:42 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
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		<description><![CDATA[— Le point de départ de l’exposition est le roman et le personnage éponyme de Moi, Tituba, sorcière noire de Salem (1986) de Maryse Condé. Artistes : Naudline Pierre, Abigail Lucien, Rhea Dillon, Miryam Charles, Monika Emmanuelle Kazi, Naomi Lulendo, Inès Di Folco Jemni, Liz Johnson Artur, Tanoa Sasraku, Claire Zaniolo, Massabielle Brun. Curator : Amandine [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="https://www.lizjohnsonartur.co.uk" target="_blank"><img class="alignleft wp-image-6277" title=" Liz Johnson Artur ©Photo Aurélien Mole" src="http://altblog.be/wp-content/uploads/2025/10/image.png" alt="image" width="592" height="889" /></a>—<br />
Le point de départ de l’exposition est le roman et le personnage éponyme de <em>Moi, Tituba, sorcière noire de Salem</em> (1986) de <a href="https://memoire-esclavage.org/biographies/maryse-conde" target="_blank">Maryse Condé</a>.<br />
Artistes : <a href="https://www.instagram.com/cluvie/" target="_blank">Naudline Pierre</a>, <a href="https://www.abigaillucien.com" target="_blank">Abigail Lucien</a>, <a href="https://dillonrhea.com" target="_blank">Rhea Dillon</a>, <a href="https://www.instagram.com/miryam_charles/?hl=fr" target="_blank">Miryam Charles</a>, <a href="https://monikaemmanuelle.com/press" target="_blank">Monika Emmanuelle Kazi</a>, <a href="https://www.naomilulendo.com" target="_blank">Naomi Lulendo</a>, <a href="https://www.instagram.com/inesdifolcojemni/?hl=fr" target="_blank">Inès Di Folco Jemni</a>, <a href="https://www.lizjohnsonartur.co.uk" target="_blank">Liz Johnson Artur</a>, <a href="https://www.instagram.com/tanoasasraku/" target="_blank">Tanoa Sasraku</a>, <a href="https://clairezaniolo.onfabrik.com" target="_blank">Claire Zaniolo</a>, <a href="https://www.instagram.com/butterflydeadsoul/" target="_blank">Massabielle Brun</a>. Curator : <a href="https://palaisdetokyo.com/personne/amandine-nana/" target="_blank">Amandine Nana</a></p>
<p><strong><a href="https://palaisdetokyo.com/en/exposition/tituba-who-protects-us/" target="_blank">Palais de Tokyo</a>, Paris. 17.10.2024 &gt; 05.01.2025.</strong></p>
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		<title>NEW SCULPTURES</title>
		<link>https://altblog.be/?p=6235</link>
		<comments>https://altblog.be/?p=6235#comments</comments>
		<pubDate>Thu, 22 Aug 2024 13:41:27 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
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		<description><![CDATA[— Tony Cragg has stated, ‘although it is the human figure which interests me most deeply, I have always paid great attention to natural forms.’ Thaddaeus Ropac, Paris. 07.09.2024 &#62; 10.10.2024.]]></description>
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<p><a href="https://www.tony-cragg.com" target="_blank"><img class="alignleft wp-image-6238" title="altblog Tony Cragg New Sculptures" src="http://altblog.be/wp-content/uploads/2024/09/TonyCragg-bis.png" alt="" width="592" height="453" /></a>—<br />
<a href="https://www.tony-cragg.com" target="_blank">Tony Cragg</a> has stated, ‘although it is the human figure which interests me most deeply, I have always paid great attention to natural forms.’</p>
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<p><strong><a href="https://ropac.net/exhibitions/718-tony-cragg-new-sculptures/" target="_blank">Thaddaeus Ropac</a>, Paris. 07.09.2024 &gt; 10.10.2024.</strong></p>
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		<title>Joanna Piotrowska</title>
		<link>https://altblog.be/?p=6243</link>
		<comments>https://altblog.be/?p=6243#comments</comments>
		<pubDate>Wed, 21 Aug 2024 09:09:22 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
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		<description><![CDATA[— “I always focus on staging and gestures, working with the body, arranging certain situations between people, or between people and their surroundings. It is a performative activity, which is why I often say that my photographs are documentations of little performances.” — Joanna Piotrowska, 2020 Galerie Marian Goodman, Paris. 06.09.2024 – 05.10.2024.]]></description>
				<content:encoded><![CDATA[<p><a href="https://joannapiotrowska.com" target="_blank"><img class="alignleft wp-image-6244" title="altblog — Joanna Piotrowska" src="http://altblog.be/wp-content/uploads/2024/09/Capture-d’écran-2024-09-13-à-11.08.28.png" alt="Capture d’écran 2024-09-13 à 11.08.28" width="592" height="400" /></a>—<br />
“I always focus on staging and gestures, working with the body, arranging certain situations between people, or between people and their surroundings. It is a performative activity, which is why I often say that my photographs are documentations of little performances.” — <a href="https://joannapiotrowska.com" target="_blank">Joanna Piotrowska</a>, 2020</p>
<p><strong><a href="https://www.mariangoodman.com/exhibitions/575-joanna-piotrowska/" target="_blank">Galerie Marian Goodman</a>, Paris. 06.09.2024 – 05.10.2024.</strong></p>
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		<title>JOIE</title>
		<link>https://altblog.be/?p=6228</link>
		<comments>https://altblog.be/?p=6228#comments</comments>
		<pubDate>Tue, 20 Aug 2024 14:28:04 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
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		<description><![CDATA[— Les artistes de l’exposition Joie (Majd Abdel Hamid, Diane Cescutti, Hessie, Teresa Lanceta, Liz Magor, Ernesto Sartori, Mira Schor, Suzanne Silver) appartiennent à une famille artistique qui a transmuté en art les gestes de fabrication transmis par leurs aîné·e·s : le passage de ces savoir-faire de la sphère domestique au travail d’artiste apparaît aujourd’hui [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="https://awarewomenartists.com/magazine/liz-magor-troubler-lhabitude/" target="_blank"><img class="alignleft wp-image-6229" title="Liz Magor, Karl's Castle, 2003" src="http://altblog.be/wp-content/uploads/2024/09/Capture-d’écran-2024-09-08-à-16.23.08.png" alt="Capture d’écran 2024-09-08 à 16.23.08" width="592" height="395" /></a>—<br />
Les artistes de l’exposition <a href="https://marcellealix.com/expositions/presentation/111/joie" target="_blank"><em>Joie</em></a> (<a href="https://majdabdelhamid.com" target="_blank">Majd Abdel Hamid</a>, <a href="https://dianecescutti.com/fr/844-2/" target="_blank">Diane Cescutti</a>, <a href="https://awarewomenartists.com/artiste/hessie-hessie-djuric-nee-johnston-dite/" target="_blank">Hessie</a>, <a href="https://www.teresalanceta.com/fr/" target="_blank">Teresa Lanceta</a>, <a href="https://www.contemporaryartlibrary.org/artist/liz-magor-5592" target="_blank">Liz Magor</a>, <a href="https://m.marcellealix.com/en/oeuvres/ernesto-sartori?id=723" target="_blank">Ernesto Sartori</a>, <a href="https://www.miraschor.com" target="_blank">Mira Schor</a>, <a href="Suzanne%20Silver" target="_blank">Suzanne Silver</a>) appartiennent à une famille artistique qui a transmuté en art les gestes de fabrication transmis par leurs aîné·e·s : le passage de ces savoir-faire de la sphère domestique au travail d’artiste apparaît aujourd’hui comme une des révolutions esthétiques des 20 et 21e siècle.</p>
<p><strong><a href="https://marcellealix.com/expositions/presentation/111/joie" target="_blank">Marcelle Alix</a>, Paris. 05.09.2024 &gt; 05.10.2024.</strong></p>
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		<title>LES POULAINS&#8230;</title>
		<link>https://altblog.be/?p=6176</link>
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		<pubDate>Thu, 22 Feb 2024 11:33:20 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
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		<description><![CDATA[— With Les poulains deviennent des chevaux, Jean-Charles de Quillacq explores the crossroads between libido and the work of art, making visible connections between sexuality and sculpture. Marcelle Alix, Paris, 11.01.2024 &#62; 09.03.2024.]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.jeancharlesdequillacq.com" target="_blank"><img class="alignleft wp-image-6177" src="http://altblog.be/wp-content/uploads/2024/02/Jean-Charles-de-Quillacq.png" alt="Jean-Charles de Quillacq" width="592" height="437" /></a>—<br />
With <em><a href="https://marcellealix.com/expositions/presentation/107/les-poulains-deviennent-des-chevaux" target="_blank">Les poulains deviennent des chevaux</a></em>, <a href="http://www.jeancharlesdequillacq.com" target="_blank">Jean-Charles de Quillacq</a> explores the crossroads between libido and the work of art, making visible connections between sexuality and sculpture.</p>
<p><strong><a href="https://marcellealix.com/expositions/presentation/107/les-poulains-deviennent-des-chevaux" target="_blank">Marcelle Alix</a>, Paris, 11.01.2024 &gt; 09.03.2024.</strong></p>
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		<title>DEUX OU TROIS CHOSES&#8230;</title>
		<link>https://altblog.be/?p=6148</link>
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		<pubDate>Sat, 20 May 2023 07:42:23 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
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		<description><![CDATA[— Thanks to singular productions with specialists, engineers, architects and companies, Jennifer Caubet begins a work of reflection on, in and around space, through sculpture, installation and drawing. galerie Jousse Entreprise, Paris. 20.05.2023 &#62; 22.07.2023.]]></description>
				<content:encoded><![CDATA[<p><a href="http://jennifercaubet.com/index.php?/works/capsules-/" target="_blank"><img class="alignleft wp-image-6149" title=" Jennifer Caubet — Diffractions, ©Photo Gregory Copite" src="http://altblog.be/wp-content/uploads/2023/06/DSCF1705_WEB-photo-@-Gregory-Copitet-2.jpg" alt="DSCF1705_WEB-photo-@-Gregory-Copitet-2" width="592" height="444" /></a>—<br />
Thanks to singular productions with specialists, engineers, architects and companies, <a href="https://jennifercaubet.com" target="_blank">Jennifer Caubet</a> begins a work of reflection on, in and around space, through sculpture, installation and drawing.</p>
<p><strong><a href="https://www.jousse-entreprise.com/art-contemporain/fr/expositions/deux-ou-trois-choses-que-je-sais-delle/" target="_blank">galerie Jousse Entreprise</a>, Paris. 20.05.2023 &gt; 22.07.2023.</strong></p>
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		<title>ON STAGE</title>
		<link>https://altblog.be/?p=6117</link>
		<comments>https://altblog.be/?p=6117#comments</comments>
		<pubDate>Sun, 16 Oct 2022 14:37:21 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
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		<description><![CDATA[— Suzy Lake développe initialement un travail orienté vers la performance, mais aussi celui d’activiste politique et de féministe militante. Son œuvre questionne la représentation et la perception de soi en tant qu’être libre et responsable, aux travers de séquences photographiques et de films. mfc michèle-didier, Paris. 14.10.2022 &#62; 23.12.2022.]]></description>
				<content:encoded><![CDATA[<p><a href="https://www.suzylake.ca/portfolios" target="_blank"><img class="alignleft wp-image-6118" title="altblog — Suzy Lake — On Stage" src="http://altblog.be/wp-content/uploads/2022/10/suzy_lake_on_stage_mfc_michele_didier_473.jpg" alt="suzy_lake_on_stage_mfc_michele_didier_473" width="592" height="440" /></a>—<br />
<a href="https://www.suzylake.ca" target="_blank">Suzy Lake</a> développe initialement un travail orienté vers la performance, mais aussi celui d’activiste politique et de féministe militante. Son œuvre questionne la représentation et la perception de soi en tant qu’être libre et responsable, aux travers de séquences photographiques et de films.</p>
<p><strong><a href="https://www.micheledidier.com" target="_blank">mfc michèle-didier</a>, Paris. 14.10.2022 &gt; 23.12.2022.</strong></p>
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		<title>SOFT POWER</title>
		<link>https://altblog.be/?p=6088</link>
		<comments>https://altblog.be/?p=6088#comments</comments>
		<pubDate>Sat, 22 Jan 2022 17:06:15 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
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		<description><![CDATA[— Ludovic Sauvage conceptualise une pratique de l’installation où les images prennent forme par leur déconstruction dans l’environnement. Galerie Valeria Cetraro, Paris.  29.01.2022 &#62; 26.02.2022.]]></description>
				<content:encoded><![CDATA[<p><a href="https://ludovicsauvage.fr" target="_blank"><img class="alignleft wp-image-6089" title="altblog — Ludovic Sauvage — 2022" src="http://altblog.be/wp-content/uploads/2022/01/Capture-d’écran-2022-01-22-à-18.04.59.png" alt="Capture d’écran 2022-01-22 à 18.04.59" width="592" height="322" /></a>—<br />
<a href="https://ludovicsauvage.fr" target="_blank">Ludovic Sauvage</a> conceptualise une pratique de l’installation où les images prennent forme par leur déconstruction dans l’environnement.</p>
<p><strong><a href="http://www.galerievaleriacetraro.com" target="_blank">Galerie Valeria Cetraro</a>, Paris.  29.01.2022 &gt; 26.02.2022.</strong></p>
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