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	<title>alt &#187; Zürich</title>
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		<title>LINA SCHEYNIUS EXHIBITION 04</title>
		<link>https://altblog.be/?p=5594</link>
		<comments>https://altblog.be/?p=5594#comments</comments>
		<pubDate>Sun, 08 Jan 2017 14:44:05 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Photographie]]></category>
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		<description><![CDATA[— Lina Scheynius’ photography has found its way via the internet into the fashion world and from there into the art world. Christophe Guye Galerie, Zürich. 26.01.2017 &#62; 15.04.2017.]]></description>
				<content:encoded><![CDATA[<p><a href="http://diary.linascheynius.com" target="_blank"><img class="alignleft wp-image-5595" title="altblog – Lina Scheynius – Me in London – Winter 2015" src="http://altblog.be/wp-content/uploads/2017/01/Christophe-Guye-Galerie-Lina-Scheynius-Me-in-London-Winter-2015.jpg" alt="christophe-guye-galerie-lina-scheynius-me-in-london-winter-2015" width="592" height="392" /></a>—<br />
<a href="http://diary.linascheynius.com" target="_blank">Lina Scheynius</a>’ photography has found its way via the internet into the fashion world and from there into the art world.</p>
<p><strong><a href="https://christopheguye.com" target="_blank">Christophe Guye Galerie</a>, Zürich. 26.01.2017 &gt; 15.04.2017.</strong></p>
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		<title>SIXTEEN WORKS</title>
		<link>https://altblog.be/?p=5355</link>
		<comments>https://altblog.be/?p=5355#comments</comments>
		<pubDate>Sat, 07 Nov 2015 14:27:14 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Photographie]]></category>
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		<description><![CDATA[— Daniel Gustav Cramer’s exhibition is in its essence a portrait of a landscape, of a man on a road, lost in his thoughts; it’s a portrait of the experience of a single moment. If you take this image as a starting point, the exhibition unfolds and reveals the different faces a journey can have. [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.danielgustavcramer.com" target="_blank"><img class="alignleft wp-image-5356" title="altblog – Daniel Gustav Cramer" src="http://altblog.be/wp-content/uploads/2015/11/altblog-–-Daniel-Gustav-Cramer.jpg" alt="altblog – Daniel Gustav Cramer" width="592" height="394" /></a>—<br />
<a href="http://www.danielgustavcramer.com/index1.html" target="_blank">Daniel Gustav Cramer</a>’s exhibition is in its essence a portrait of a landscape, of a man on a road, lost in his thoughts; it’s a portrait of the experience of a single moment. If you take this image as a starting point, the exhibition unfolds and reveals the different faces a journey can have.</p>
<p><strong><a href="http://www.boltelang.com/exhibitions/current/" target="_blank">BolteLang</a>, Zürich. 24.10.2015 &gt; 28.11.2015.</strong></p>
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		<title>IN MEDIAS RES</title>
		<link>https://altblog.be/?p=5283</link>
		<comments>https://altblog.be/?p=5283#comments</comments>
		<pubDate>Fri, 04 Sep 2015 06:31:28 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Photographie]]></category>
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		<description><![CDATA[— «By hijacking objects from their everyday use and reassigning their significance, the arbitrary combinatory game generated by Delphine Burtin results in a surprising photographic language, in which objects we thought we knew become unfamiliar and the incongruous associations they set in train undermine our conventional representations.» Emilie Delcambre, Musée de l’Elysée, Lausanne Galerie Bildhalle, Zurich. 27.08.2015 &#62; 22.10.2015. [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.burtin.ch/photographie/?p=182" target="_blank"><img class="alignleft wp-image-5284 size-full" title="altblog – Delphine Burtin" src="http://altblog.be/wp-content/uploads/2015/09/altblog-–-Delphine-Burtin.jpg" alt="altblog – Delphine Burtin" width="592" height="423" /></a>—<br />
«By hijacking objects from their everyday use and reassigning their significance, the arbitrary combinatory game generated by <a href="http://www.burtin.ch/photographie/" target="_blank">Delphine Burtin</a> results in a surprising photographic language, in which objects we thought we knew become unfamiliar and the incongruous associations they set in train undermine our conventional representations.»<br />
Emilie Delcambre, Musée de l’Elysée, Lausanne</p>
<p><strong><a href="http://www.bildhalle.ch/exhibitions" target="_blank">Galerie Bildhalle</a>, Zurich. 27.08.2015 &gt; 22.10.2015.<br />
<a href="http://benrubigallery.com" target="_blank">Benrubi Gallery</a>, New York. 10.09.2015 &gt; 24.10.2015.<br />
</strong></p>
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		<title>HEAVEN IN CLOUDS</title>
		<link>https://altblog.be/?p=4655</link>
		<comments>https://altblog.be/?p=4655#comments</comments>
		<pubDate>Sun, 03 Mar 2013 09:07:05 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Collaboration]]></category>
		<category><![CDATA[exposition]]></category>
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		<description><![CDATA[Heaven in Clouds is the title of a new work by Peter Granser in which he confronts urbanization, the exponential growth of Chinese cities and its impact on their inhabitants and on nature. Fotomuseum, Winterthur, 02.03.2013 &#62; 20.05.2013.]]></description>
				<content:encoded><![CDATA[<p><em><a href="http://granser.de/heaven-in-clouds.html"><img class="alignleft size-full wp-image-4656" style="margin-top: 0px; margin-bottom: 20px;" title="altblog — Peter Granser" src="http://altblog.be/wp-content/uploads/2013/03/altblog-—-Pater-Granser.jpg" alt="" width="592" height="220" /></a><a href="http://granser.de/heaven-in-clouds.html" target="_blank">Heaven in Clouds</a></em> is the title of a new work by <a href="http://granser.de" target="_blank">Peter Granser</a> in which he confronts urbanization, the exponential growth of Chinese cities and its impact on their inhabitants and on nature.</p>
<p><strong><a href="http://www.fotomuseum.ch" target="_blank">Fotomuseum</a>, Winterthur, 02.03.2013 &gt; 20.05.2013.</strong></p>
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		<title>ELLES SE RENDENT PAS COMPTE &amp; OBJECTS</title>
		<link>https://altblog.be/?p=4603</link>
		<comments>https://altblog.be/?p=4603#comments</comments>
		<pubDate>Mon, 04 Feb 2013 07:18:25 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Art contemporain]]></category>
		<category><![CDATA[Photographie]]></category>
		<category><![CDATA[exposition]]></category>
		<category><![CDATA[galerie]]></category>
		<category><![CDATA[Zürich]]></category>

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		<description><![CDATA[With Objects, Armand Yerly invites us to go in search of the strange beauty that has developed from the unintentional clash between natural evolution and industrial production. Elles se rendent pas compte explains and underscores the functional and poetic value of any and every installation. Hauser Gallery, Zürich. 26.01.2013 &#62; 09.03.2013.]]></description>
				<content:encoded><![CDATA[<p><a href="http://armandyerly.com/elles-se-rendent-pas-compte.html" target="_blank"><img class="alignleft size-full wp-image-4604" style="margin-top: 0px; margin-bottom: 20px;" title="altblog – Armand Yerly" src="http://altblog.be/wp-content/uploads/2013/02/altblog-–-Armand-Yerly.jpg" alt="" width="592" height="392" /></a>With <em>Objects</em>, <a href="http://armandyerly.com" target="_blank">Armand Yerly</a> invites us to go in search of the strange beauty that has developed from the unintentional clash between natural evolution and industrial production. <em><a href="http://armandyerly.com/elles-se-rendent-pas-compte.html" target="_blank">Elles se rendent pas compte</a></em> explains and underscores the functional and poetic value of any and every installation.</p>
<p><strong><a href="http://www.hausergallery.ch" target="_blank">Hauser Gallery</a>, Zürich. 26.01.2013 &gt; 09.03.2013.</strong></p>
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