Filed under: Art contemporain, Sculpture, Vidéo – Film | Tags: exhibition, Poland, Wrocław |
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Marcin Dudek’s exhibition The Crowd Man combines an autobiographical narrative with a statement about crowd psychology, aggression and violence. These two elements remain crucial for the artist’s questions about how violence and aggression affect the relationships between people and what mechanisms trigger them.
MWW, Wrocław, Poland. 31.05.2019 > 26.08.2019.
Filed under: Art contemporain, Sculpture | Tags: exposition, galerie, Paris |
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Bianca Bondi nourrit son travail de sciences naturelles et d’histoires, de culture religieuse, ésotérique ou magique. Avec une approche multidisciplinaire souvent spécifique au site, sa pratique implique l’activation d’objets. Les matériaux sont choisis pour leur potentiel de transformation ou leurs propriétés intrinsèques. En résulte des surfaces étranges et nouvelles.
VNH Gallery, Paris. 03.07.2019 > 27.07.2019.
Filed under: Art contemporain, Sculpture | Tags: Berlin, exhibition, gallery |
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Taking this dialogue as a departure point, Burçak Bingöl carries various fragments from Istanbul to Berlin and makes a visual experiment by superposing times and spaces.
Zilberman Gallery, Berlin. 24.04.2019 > 27.07.2019.
Filed under: Art contemporain, Peinture - Illustration | Tags: exhibition, gallery, New York |
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Organized in collaboration with the Joan Mitchell Foundation, the exhibition I carry my landscapes around with me—which span four decades of Mitchell’s career—will allow for a unique opportunity to explore the range of scale and formal experimentation of this innovative facet of her oeuvre.
David Zwirner, New York. 03.05.2019 > 12.07.2019.
Filed under: Art contemporain, Sculpture | Tags: Bruxelles, exposition, galerie |
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Roeland Tweelinckx aims to rearrange and reorganise the provided things, detect changes and juxtapose layers of meaning in a stripped-down and pure visual language, which can be both practicable and non-functional.
IRÈNE LAUB GALLERY, Brussels. 07.05.2019 > 14.06.2019.
Filed under: Art contemporain, Sculpture | Tags: exposition, Paris |
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For his first solo museum exhibition in France, Theaster Gates has initiated an entirely new project that explores social histories of migration and interracial relations using a specific episode in American history as his point of departure to address larger questions of black subjugation and the imperial sexual domination and racial mixing that resulted from it.
Palais de Tokyo, Paris, 20.02.2018 > 12.05.2019.
Filed under: Art contemporain, Sculpture, Vidéo – Film | Tags: Düsseldorf, exhibition |
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The artists of Body in Pieces dedicate themselves to the human body as a focal point at which pressing queries coincide, concerning the technological and social conditions of human existence, for instance. With: Monica Bonvicini, Leda Bourgogne, Mariechen Danz, Nadira Husain, Jens Pecho, Lili Reynaud-Dewar, Ryan Trecartin.
KAI 10 | Arthena Foundation, Düsseldorf. 22.02.2019 > 12.05.2019.
Filed under: Art contemporain, Photographie, Vidéo – Film | Tags: Amsterdam, exhibition |
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The artworks presented all exemplify the idea of the artist creating their own imaginative spaces through their artworks as video works, sculptures, and installations. Artists: Andreas Kassapis, Atelier Van Lieshout, Aukje Dekker, Desiree Dolron, Jake & Dinos Chapman, Lara Verheijden, Peter Schuyff, Shezad Dawood, Thomas van Linge and Wayne Horse. In collaboration with Amsterdam based gallery HE.RO.
De School, Amsterdam. 24.01.2019 > 24.02.2019.
Filed under: Art contemporain, Photographie | Tags: exposition |
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Les dimensions imposantes de la Grande halle sont l’occasion pour Grégory Chatonsky d’envisager de nouvelles conditions scénographiques d’un projet d’envergure intitulé The Dream Machine. Il crée un environnement immersif qui assimile la Grande halle à un centre de données ou data center. Un programme d’intelligence artificielle imaginé par Grégory Chatonsky apprend à générer des rêves à partir d’une base de données de 20000 témoignages de rêves recueillis à l’Université de Californie par Adam Schneider et G.William Domhoff. Ces récits sont ensuite lus et associés à des images produites par un réseau de neurones artificiels d’après des mots clés choisis. Les images issues de ces opérations d’apprentissage défilent sur les murs de la Grande halle transformée en chambre noire. Elles montrent des formes hybridant des catégories distinctes qui produisent un réalisme de la métamorphose : le vivant et l’architecture, l’insecte et la plante la terre et la technique…
Les Tanneries, Amilly. 16.02.2019 > 31.03.2019.
Filed under: Art contemporain, Sculpture | Tags: Berlin, exhibition, gallery |
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Creating interactions between substances that are not normally found together, Alisa Baremboym assimilates one material into another, amplifying the object’s porosity as a human membrane separating us from the outside world.
Konrad Fischer Galerie, Berlin. 23.11.2018 – 26.01.2019.