Filed under: Art contemporain, Peinture - Illustration, Photographie, Sculpture | Tags: exposition, Paris |
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Le point de départ de l’exposition est le roman et le personnage éponyme de Moi, Tituba, sorcière noire de Salem (1986) de Maryse Condé.
Artistes : Naudline Pierre, Abigail Lucien, Rhea Dillon, Miryam Charles, Monika Emmanuelle Kazi, Naomi Lulendo, Inès Di Folco Jemni, Liz Johnson Artur, Tanoa Sasraku, Claire Zaniolo, Massabielle Brun. Curator : Amandine Nana
Palais de Tokyo, Paris. 17.10.2024 > 05.01.2025.
Filed under: Art contemporain, Peinture - Illustration, Photographie, Sculpture, Vidéo – Film | Tags: Avignon, exposition |
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Imaginée à partir d’un dialogue entre les artistes, cette exposition explore les dimensions sensorielles et politiques des expériences vécues par les Sourd·e·s, les CODA (enfants entendants de parents Sourds) et leurs descendants témoins. Avec Geoffrey Badel, Arthur Gillet, Estelle Labes, Sylvanie Tendron, Max Taguet, Fleur Mautuit, Joseph Grigely et Danièle Le Moënner.
La Chartreuse-Cnes Villeneuve, Avignon. 11.10.2025 > 04.01.2025.
Filed under: Art contemporain, Photographie, Sculpture | Tags: exhibition, New York |
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Gagosian is pleased to announce an exhibition of new work by Cady Noland at the gallery’s 555 West 24th Street location in New York. A concurrent exhibition of work by Steven Parrino within the same location—staged at Noland’s invitation—places Parrino’s paintings and works on paper in conversation with Noland’s sculptures.
Gagosian, New York. 10.09.2025 > 18.10.2028.
Filed under: Art contemporain, Sculpture, Vidéo – Film | Tags: Athens, exhibition |
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Janis Rafa explores the relationship between the human and non-human world, especially that between humans and horses. Turning to the horse as a paradigm of constructed physicality and lost identity, Rafa proposes a visual vocabulary that seeks to draw attention to our tendency to classify the non-human in terms of compatibility, productivity and efficiency, thus highlighting the seductive yet often malicious and sadistic bond at the heart of this age-old relationship.
EMST, Athens. 03.04.2025 – 05.10.2025.
Filed under: Art contemporain, Sculpture | Tags: exposition, Nantes |
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Pour l’exposition Sauroctone au centre d’art Zoo, Yan Tomaszewski a réalisé une grande installation faite d’îlots qui déploient nombre d’éléments liés à l’historiographie des fleuves et aux mythologies qu’ils drainent en produisant notamment un vitrail figurant ce fameux saint sauroctone et en créant des sculptures hybrides en céramique et verre coloré qui proposent une imagerie renouvelée de l’imaginaire fluvial.
Zoo centre d’art contemporain, Nantes. 14.04.2025 > 24.05.2025.
Filed under: Art contemporain, Sculpture, Vidéo – Film | Tags: Charleroi, exposition |
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Candice Breitz investit l’intégralité du musée avec un ensemble d’œuvres explorant le culte des célébrités, l’omniprésence des médias sociaux et les systèmes de privilèges de la blanchité en tant qu’instruments rivalisant pour capter notre attention.
BPS22, Charleroi. 01.02.2025 > 11.05.2025.
Filed under: Art contemporain, Sculpture | Tags: Berlin, gallery |
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The exhibition The Neoliberal Urge to Curate a Friendsgroup brings together works by Sarah Albrecht, Oliver Bleckmann, Manuel Cornelius, Sophia Gatzkan, Jill Kiddon, Luka Naujoks and Johannes Thiel and explores the neoliberal tendency to view social relationships as a strategic network – a curated portfolio of friendships, treated as a purpose-driven structure. In a culture dominated by self-promotion and social optimization, friendships are increasingly becoming a resource designed to yield personal benefits. Particularly in the art scene, many friendships have an ‘instrumental’ character – relationships are selected on the basis of aesthetics and value.
ACUD Galerie, Berlin. 28.02.2025 > 23.03.2025.
Filed under: Art contemporain, Peinture - Illustration, Photographie, Vidéo – Film | Tags: exhibition, gallery, London |
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Matthias Groebel has never believed in the concept of content. By doing so, Groebel frees his works from the constraints of representation. Across his career and different media, he has repeatedly created parameters and conditions that allow for an intuitive mental workspace.
Modern Art, London. 17.01.2025 > 22.02.2025.
Filed under: Art contemporain, Peinture - Illustration | Tags: Bonn, exhibition |
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“The strength of Dort: ein Gefühl is its minimal curatorial framework – that red line – which allows us not just to hear what is being said, but to register Bordowitz’s true medium: not performance, poetry, or film, but presence itself, with language and, ultimately, art as its faulty witnesses.” Kristian Vistrup Madsen on Gregg Bordowitz: Nothing But Being Here (Spike Art Magazine)
Bonner Kunstverein, Bonn, 21.09.2024 > 02.02.2025.
A second chapter of the exhibition takes place at Camden Art Centre, London
(17.01.2025 > 30.03.2025).
Filed under: Art contemporain, Peinture - Illustration | Tags: Bruxelles, exposition, Wiels |
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Loin d’essayer d’englober l’intégralité de son œuvre, l’exposition On peut… On peut encore… d’Ana Jotta se concentre sur un aspect spécifique de son travail : sa façon d’investir le dessin d’une multiplicité de sens.
Wiels, Bruxelles. 07.09.2024 > 05.01.2025.