NOOKS & CRANNIES

Filed under: Art contemporain, Peinture - Illustration, Sculpture | Tags: , |

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Trucs Machins et Bidules (Nooks & Crannies)
, une exposition qui s’articule autour de la notion d’assemblage et de recyclage, organisée en collaboration avec Olivier Renaud-Clément, avec les œuvres de Ser Serpas, François-Marie Banier, Nancy Brooks Brody, Jesse Darling, Rafik Greiss, Marc Leschelier, Jean-Luc Moulène, Anita Molinero et Daniel Pommereulle.

Galerie Christophe Gaillard, Bruxelles. 14.03.2024 > 28.04.2024.


LES POULAINS…

Filed under: Art contemporain, Peinture - Illustration, Sculpture | Tags: , , |

Jean-Charles de Quillacq
With Les poulains deviennent des chevaux, Jean-Charles de Quillacq explores the crossroads between libido and the work of art, making visible connections between sexuality and sculpture.

Marcelle Alix, paris, 11.01.2024 > 09.03.2024.


DEUX OU TROIS CHOSES…

Filed under: Art contemporain, Peinture - Illustration, Sculpture | Tags: , |

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Thanks to singular productions with specialists, engineers, architects and companies, Jennifer Caubet begins a work of reflection on, in and around space, through sculpture, installation and drawing.

galerie Jousse Entreprise, Paris. 20.05.2023 > 22.07.2023.


RECENT PAINTING

Filed under: Art contemporain, Peinture - Illustration, Sculpture | Tags: , |

BeatriceBalcou-Agnes-Martin
The exhibition is composed of pages from monographic art books which suffered damage by water and time. They were subsequently professionally restored by Béatrice Balcou with the help of two students from the restoration department of La Cambre. The project focusses on the restoration of the reproduction of a painting.

BEIGE, Brussels. 31.03.2023 > 06.05.2023.


FRUITS OF LABOR

Filed under: Art contemporain, Peinture - Illustration, Sculpture | Tags: , , |

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With a practice that is deeply interwoven into her everyday experience, Ruth van Beek looks inwards at how her vast archive works.

In Mariken Wessels’ new series of sculptures of Mama and collage works The Sculptor, it is the female body that becomes matter.

The Ravestijn Gallery, Amsterdam. 11.03.2023 > 22.04.2023.


LOCATING PERCEPTION

Filed under: Art contemporain, Sculpture | Tags: , , |

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Nancy Holt’s work addresses the consistent examination of how we attempt to understand our place in the world.  Across five decades she investigated perception, systems and place.

Sprüeth Magers, Los Angeles. 28.10.2022 > 14.01.2023.


SURPLUS PROJECT REVERSE

Filed under: Art contemporain, Sculpture | Tags: , |

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SURPLUS reversed by Magda Buczek refers to practices of protest occupation, squatting, and virusing more than to a traditional exhibition. Hidden from the eyes of inattentive visitors, yet teased in a window display, it plays with a marketing strategy of speak-easy, a secret, exclusive space for the selected group of audience.

SUPER DAKOTA, Brussels. 09.06.22 > 16.07.22.


WHAT WE DO IN THE SHADOWS

Filed under: Art contemporain, Photographie, Sculpture | Tags: , |

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Alexandra Leykauf investigates the relationship between image and viewer, and context and space working with photographic imaging processes. With a simple but effective sewing technique, Dominik Styk produces abstracted forms that are simultaneously strange and familiar.

GAK, Bremen. 19.02.2022 > 15.05.2022.


THREE TROPES FOR ENTROPY

Filed under: Art contemporain, Sculpture, Vidéo – Film | Tags: , |

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Laila Melchior and Koi Persyn — laureates of the second edition of the Lichen Curatorial Prize — present  Three Tropes for Entropy, a growing and transformative exhibition in three chapters with works by mountaincutters (FR), Angyvir Padilla (VZ) and Daniel Steegmann Mangrané (ES), Three Tropes for Entropy delves into three distinctive artistic practices, presenting their singular approaches towards notions of flux, energy, and transformation.

CIAP Kunstverein, Lichen Curatorial Prize #2, Genk, 06.02.2022 > 01.05.2022.


SOFT POWER

Filed under: Art contemporain, Photographie, Sculpture | Tags: , , |

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Ludovic Sauvage conceptualise une pratique de l’installation où les images prennent forme par leur déconstruction dans l’environnement.

Galerie Valeria Cetraro, Paris.  29.01.2022 > 26.02.2022.