TODAY IS THE FIRST DAY

Filed under: Art contemporain, Photographie, Vidéo – Film | Tags: , , |

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WIELS inaugurates 2020 with the first large-scale solo exhibition in Belgium of the artist Wolfgang Tillmans. Exhibited over two floors, Today Is The First Day presents work by the artist from the past three decades, while opening up onto the latest developments in his practice that will include new photography, sound and video works in a spatial constellation, conceived especially by Tillmans for WIELS. Curators: Devrim Bayar and Dirk Snauwaert. A 512 pages artist book, co-published by IMMA, WIELS and Koenig Books, is available.

WIELS, Brussels. 01.02.2020 – 24.05.2020.


SEPUYA IN LONDON

Filed under: Art contemporain, Photographie | Tags: , |

altblog-Paul Mpagi Sepuya
As part of Condo, Modern Art presents a solo exhibition of work by Paul Mpagi Sepuya, in collaboration with Team Gallery. This will be the first solo exhibition of Sepuya’s work in the UK.

Condo London 2020. 11.01.2020 > 15.01.2020.


A HISTORY OF MY PLEASURE

Filed under: Art contemporain, Photographie, Sculpture | Tags: , |

alt blog — Carmen Winant
“This is a show about that lateral, first person perspective; it is about the making flat of something fleshy and the making subject of sight through touch.” – Carmen Winant

14a, Hamburg. 17.10.2019 > 05.12.2019.


HETEROTOPIA

Filed under: Art contemporain, Photographie, Vidéo – Film | Tags: , |

altblog — Lara Verheijden and Mark Stadman
The artworks presented all exemplify the idea of the artist creating their own imaginative spaces through their artworks as video works, sculptures, and installations. Artists: Andreas Kassapis, Atelier Van Lieshout, Aukje Dekker, Desiree Dolron, Jake & Dinos Chapman, Lara Verheijden, Peter Schuyff, Shezad Dawood, Thomas van Linge and Wayne Horse. In collaboration with Amsterdam based gallery HE.RO.

De School, Amsterdam. 24.01.2019 > 24.02.2019.


THE DREAM MACHINE

Filed under: Art contemporain, Photographie | Tags: |

Grégory Chatonsky, Mue, 2017-2018
Les dimensions imposantes de la Grande halle sont l’occasion pour Grégory Chatonsky d’envisager de nouvelles conditions scénographiques d’un projet d’envergure intitulé The Dream Machine. Il crée un environnement immersif qui assimile la Grande halle à un centre de données ou data center. Un programme d’intelligence artificielle imaginé par Grégory Chatonsky apprend à générer des rêves à partir d’une base de données de 20000 témoignages de rêves recueillis à l’Université de Californie par Adam Schneider et G.William Domhoff. Ces récits sont ensuite lus et associés à des images produites par un réseau de neurones artificiels d’après des mots clés choisis. Les images issues de ces opérations d’apprentissage défilent sur les murs de la Grande halle transformée en chambre noire. Elles montrent des formes hybridant des catégories distinctes qui produisent un réalisme de la métamorphose : le vivant et l’architecture, l’insecte et la plante la terre et la technique…

Les Tanneries, Amilly. 16.02.2019 >  31.03.2019.


LIVE DEAD WORLD

Filed under: Art contemporain, Photographie, Sculpture | Tags: , , |

altblog – Gabriele Beveridge
Gabriele Beveridge’s materials frequently derive from sites of commerce, particularly those where we prepare and process our bodies, or more accurately where we pay others to perform labour on our surfaces. Display and presentation are persistent themes throughout the practice. Beveridge includes found photographic imagery, cropped posters and promotional material found in hair and nail salons, alongside photograms which are a new addition to the artist’s lexicon.

Seventeen, London. 03.11.2018 > 15.12.2018.


INDUSTRIAL POEMS

Filed under: Art contemporain, Photographie, Sculpture | Tags: , |

altblog – TR Ericsson
The exhibition is part of “Crackle & Drag,” which is the umbrella title of TR Ericsson’s practice since 2003 and has developed into an inspired chronicle of a rustbelt family in post-industrial America. What begins as a soft, searing, and complex portrait of intimacy and Americana evokes universal themes of love, loss and ephemerality.

Harlan Levey Projects. 06.09.2018 > 15.12.2018.


RAYON VERT

Filed under: Photographie | Tags: , , |

Rayon_Senta_010
Senta Simond‘s work focuses on an intimate approach to the female body and portraiture. Her photographs feature a circle of acquaintances and respond to existing, and too often clichéd, representation of femininity. You can pre-order the photobook here.

Foam 3h, (Space for young photographers), Amsterdam. 07.09.2018 > 28.10.2018.


COPIES

Filed under: Art contemporain, Peinture - Illustration, Photographie | Tags: , |

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L’éditeur/commissaire d’expositions Théophile Calot réunit au cœur de cette exposition, cinq artistes qui pour la plupart entretiennent un rapport étroit à l’édition: Christian Aschman, Félicia Atkinson, Valérian Goalec, Ronan le Creurer et Caroline Reveillaud. Dans l’espace de la galerie, deux structures sur lesquelles est disposée une sélection d’œuvres et de publications réalisées par chacun des artistes invités se font face.

Galerie Eric Mouchet, Paris. 08.09.2018 > 29.09.2018.


IN TWO PARTS

Filed under: Art contemporain, Photographie, Sculpture | Tags: , |

Sharon Lockhart
Movements and Variations in Two Parts
is 
an exhibition of new series of photographic and sculptural works by Sharon Lockhart spanning two neighboring locations: Gladstone Gallery and Jan Mot. The exhibition features a series of photographic and sculptural works that stem from Lockhart’s ongoing interest in portraiture, choreography, and the empowerment of women.

Gladstone Gallery and Jan Mot, Brussels. 07.09.2018 > 20.10.2018.