THE MAGICIAN & THE LOVER

Filed under: Art contemporain, Sculpture | Tags: , , |

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Jamie Fitzpatrick’s practice deals with the rhetoric of image making, the relevance of the figure and how objects and totemic gestures such as flags, statues or plinths are used within the work to impose forms of power and control.

Deborah Bowmann, Brussels. 08.02.2020 > 28.03.2020.


TODAY IS THE FIRST DAY

Filed under: Art contemporain, Photographie, Vidéo – Film | Tags: , , |

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WIELS inaugurates 2020 with the first large-scale solo exhibition in Belgium of the artist Wolfgang Tillmans. Exhibited over two floors, Today Is The First Day presents work by the artist from the past three decades, while opening up onto the latest developments in his practice that will include new photography, sound and video works in a spatial constellation, conceived especially by Tillmans for WIELS. Curators: Devrim Bayar and Dirk Snauwaert. A 512 pages artist book, co-published by IMMA, WIELS and Koenig Books, is available.

WIELS, Brussels. 01.02.2020 – 24.05.2020.


SEPUYA IN LONDON

Filed under: Art contemporain, Photographie | Tags: , |

altblog-Paul Mpagi Sepuya
As part of Condo, Modern Art presents a solo exhibition of work by Paul Mpagi Sepuya, in collaboration with Team Gallery. This will be the first solo exhibition of Sepuya’s work in the UK.

Condo London 2020. 11.01.2020 > 15.01.2020.


SLOWER THAN SLOWLY

Filed under: Art contemporain, Sculpture | Tags: , , |

altblog_Yuko Mohri

Humour is as crucial a vehicle to Yuko Mohri’s work as is the slower than fast, stepped-down-speed, at which things swing, circulate or dim and brighten in her fluid sculptures.

mother’s tankstation, Dublin. 11.09.2019 > 07.12.2019.


A HISTORY OF MY PLEASURE

Filed under: Art contemporain, Photographie, Sculpture | Tags: , |

alt blog — Carmen Winant
“This is a show about that lateral, first person perspective; it is about the making flat of something fleshy and the making subject of sight through touch.” – Carmen Winant

14a, Hamburg. 17.10.2019 > 05.12.2019.


A SOLO EXHIBITION

Filed under: Art contemporain | Tags: , |

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Over the past two decades, Alejandro Cesarco has been making art, publishing books, and curating exhibitions. His expanded practice centers on a close consideration of affect, or as Cesarco states it, “the way meaning is felt.” With a deep interest in conceptualism’s linguistic turn, he has investigated the meanings of measured expression, the emotional cadence of feelings (however sincere, contradictory, or uncomfortable these may be), and the common and varied languages that emerge from emotional ties and genealogies.

Witte de With Center for Contemporary Art, Rotterdam. 08.09.2019 > 05.01.2020.


IN THE HANDS OF PUPPETS

Filed under: Art contemporain | Tags: , |

Sarah & Charles
Sarah & Charles are inspired by the invisible structures that shape our world. Their research results in installations, sculptures, soundscapes, performances and videos. For the exhibition in Be-Part they have started up a new, long-term trajectory, in which they use interviews to research the boundary between reality and fiction in psychology and respond to our relation to the contemporary, virtual world.

Be Part, Waregem. 01.09.2019 > 01.12.2019.


THE CROWD MAN

Filed under: Art contemporain, Sculpture, Vidéo – Film | Tags: , , |

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Marcin Dudek’s exhibition The Crowd Man combines an autobiographical narrative with a statement about crowd psychology, aggression and violence. These two elements remain crucial for the artist’s questions about how violence and aggression affect the relationships between people and what mechanisms trigger them.

MWW, Wrocław, Poland. 31.05.2019 > 26.08.2019.


INCOMPLETE COMPOSITIONS

Filed under: Art contemporain, Sculpture | Tags: , , |

altblog — Burçak Bingöl
Taking this dialogue as a departure point, Burçak Bingöl carries various fragments from Istanbul to Berlin and makes a visual experiment by superposing times and spaces.

Zilberman Gallery, Berlin. 24.04.2019 > 27.07.2019.


LANDSCAPES

Filed under: Art contemporain, Peinture - Illustration | Tags: , , |

Joan Mitchell — Row Row — 1982_
Organized in collaboration with the Joan Mitchell Foundation, the exhibition I carry my landscapes around with me—which span four decades of Mitchell’s career—will allow for a unique opportunity to explore the range of scale and formal experimentation of this innovative facet of her oeuvre.

David Zwirner, New York. 03.05.2019 > 12.07.2019.