Filed under: Art contemporain, Sculpture, Vidéo – Film | Tags: Düsseldorf, exhibition |
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The artists of Body in Pieces dedicate themselves to the human body as a focal point at which pressing queries coincide, concerning the technological and social conditions of human existence, for instance. With: Monica Bonvicini, Leda Bourgogne, Mariechen Danz, Nadira Husain, Jens Pecho, Lili Reynaud-Dewar, Ryan Trecartin.
KAI 10 | Arthena Foundation, Düsseldorf. 22.02.2019 > 12.05.2019.
Filed under: Art contemporain | Tags: Düsseldorf, exposition |
In the last few years the transformation and metamorphosis of objects has been an increasingly strong current in contemporary art.
Selection of websites: Alicja Kwade, Thomas Rentmeister and Margret Wibmer.
KAI 10, Düsseldorf. 28.01.2011 > 17.04.2011.
Filed under: Art contemporain, Photographie | Tags: Düsseldorf, exposition |
ANTIFOTO starts where photography ends – and starts again. Invited by the Kunstraum Düsseldorf – a municipal art-space – ANTIFOTO was developed and organised by the artists Katja Stuke and Oliver Sieber. Both are photographers, for eleven years they have published the photo-fanzine Die Böhm. Selection of websites: Aleksandra Domanovic, Beni Bischof, Dean Sameshima, Jason Lazarus, Jeffrey Ladd, Joachim Schmid, Manuela Barczewski, Marei Wenzel, Taiyo Onorato/Nico Krebs and Wassink/Lundgren.
Kunstraum, Düsseldorf. 10.06.2010 > 18.07.2010.
Filed under: Art contemporain, Photographie, Vidéo – Film | Tags: Bruxelles, Düsseldorf, exposition |
ALBUM/TRACKS A: with five large-format slide projections, several photo series, and a song project for the Internet, K21 presents the first museum-based overview of the work of Belgian artist Ana Torfs (born 1963 and, lives and works in Brussels). Torfs has dealt, among others, with questions such as perception, representation and the construction of images and identity.
K21, Düsseldorf. Ana Torfs, ALBUM/TRACKS A. 27.02.2010 > 18.07.2010.
Filed under: Art contemporain | Tags: Düsseldorf, exposition |
In his artistic approach Heiko Karn (b. 1971) tackles the question of what can be seen under which conditions and how certain objects can be perceived. The boundary between object and viewer as it is also established by the Kunstverein’s window display is another important point of interest for Karn. In private as well as in public, language and signs in general produce labellings, representations and appropriations – all indicating a definite aim to influence certain interests and opinions.
Kunstverein für die Rheinlande und Westfalen, Düsseldorf. 23.01.2010 > 14.03.2010.