Filed under: Art contemporain, Photographie | Tags: Berlin, exposition, galerie |
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Images that have been published in American newspapers and magazines from the 1920s to 1970s are Thomas Ruff’s source material for his press++ series, images that in themselves have even more diverse archival origins; the police, NASA, press agencies and press departments of institutions, to name a few. From the 1930s onwards, most of the photographs were no longer sent by mail from the press agency to the newspapers but instead sent as a wire and were then printed out by the newspaper, therefore showing the structure of the wire transmission.
To produce these works, Ruff scans the front and back of each photograph and combines them digitally, taking into account the original image as well as crops, touch-ups, date stamps, scribbles and smudges. Each of these marks varies in line, colour, and implement used; a red stamp, an inky blue fingerprint, a biro squiggle. Ruff has commented how photo-editors at the newspapers had little respect for the photograph, significantly altering the look and meaning of the original with their retouching and comments. Despite how invisible the hand of the editor is typically made to seem, here they are placed front and centre.
SPRÜTH MAGERS, Berlin. 07.07.2017 > 26.08.2017.
Filed under: Art contemporain, Peinture - Illustration, Photographie | Tags: Berlin, galerie |
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Pakui Hardware is the collaborative artist duo formed by Neringa Černiauskaitė and Ugnius Gelguda. In their work, the duo traces Capital traveling through bodies and materials.
Exile, Berlin. 01.06.2017 > 15.07.2017.
Filed under: Art contemporain, Photographie, Vidéo – Film | Tags: exhibition, New York |
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Projects 106: Martine Syms, the first US solo museum exhibition by Martine Syms (b. 1988, Los Angeles), is an immersive installation including photographs and staged objects, and centering around a new feature-length film, Incense Sweaters & Ice.
MoMA, New York. 27.05.2017 > 16.07.2017.
Filed under: Art contemporain, Photographie | Tags: alteditions, book, édition, livre |


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Nous travaillons sur le prochain livre de Michel Mazzoni, une co-édition Alt Editions & Editions Enigmatiques ! αστάρια | amorces est depuis hier disponible en prévente au prix de 25 € (signé) au lieu de 40 € à sa sortie… Les autres contreparties sont tout aussi intéressantes et nous vous invitons à découvrir et à soutenir le projet via Kickstarter
Nous vous remercions d’avances pour votre coup de pouce afin de réunir le budget nécessaire à sa finalisation !
αστάρια is a project on which Michel Mazzoni worked for years, step by step, and sometimes at the same time that the edition of its other books. This new opus enlightens the respective genesis of the precedents as much as it shows us the quintessence of the research for the author as artistic practice. It is a return as well as a new beginning with unexpected comings or goings that we would like to make graphically possible.
The project is on the right track but there is 3000-euros sum to be collected and we look for crowdfunders to finalize the financing and start the production.However, the more we’ll collect money, the more we’ll realize serenely this book, such as we imagine it. Funds collected by Kickstarter will be used for the finalization and the printing.
In return, we thus thought of proposing the signed copies pre-order and for a lesser price, but also to some postcards, deluxe edition with signed inkjet prints, archival pigment prints numbered, signed and framed. Each will find its count there. But everybody will participate in the publishing of an exceptional object and of quality.
Filed under: Art contemporain, Photographie | Tags: exposition, galerie, Zürich |
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Lina Scheynius’ photography has found its way via the internet into the fashion world and from there into the art world.
Christophe Guye Galerie, Zürich. 26.01.2017 > 15.04.2017.
Filed under: Art contemporain, Photographie, Vidéo – Film | Tags: galerie, Lisbonne |
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A Circuit presents a group of interlocking works by Sam Smith that circle around two Modernist villas built in the 1920s: Le Corbusier’s Villa Le Lac (1923-24) and Eileen Gray’s E.1027 (1926- 29). The video and sculptural works dissect components from the architecture of both waterside houses, utilizing their plans as a means of uncovering the design convergences and history of conflict between the two creators.
3 +1 CONTEMPORARY ART Gallery, Lisbon. 19.01.17 > 04.03.17.
Filed under: Art contemporain, Photographie, Vidéo – Film | Tags: exposition, galerie, Paris |
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Au sein de la pratique de Charlotte Moth, les réflexions héritées du conceptualisme et des travaux in situ nourrissent une forme joyeuse, poétique et atmosphérique à l’opposé de la rigidité de leur apparence initiale décrite par l’histoire de l’art. (© photo: Aurélien Mole)
Marcelle Alix, Paris. 03.11.2016 > 28.01.2017.
Filed under: Photographie | Tags: Amsterdam, exhibition |
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Close to the skin of her objects, Harley Weir’s intimate approach is what marks her work in any context, be it a border zone in a politically charged area, or in a room with a model.
Follow Harley Weir on Instagram.
Foam, Amsterdam. 02.12.2016 > 19.02.2017.
Filed under: Art contemporain, Photographie | Tags: Brussels, exhibition, galerie |
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Je m’intéresse aux formes données à la réalité à travers ses représentations, à la manière dont l’image leur donne corps et consistance. Dans mon rapport à l’image, je marque une certaine distance avec un medium prompt à revendiquer un pouvoir informatif. Le dit ou le non-dit, l’ellipse, représentent dans mes travaux le moyen de questionner la construction du sens et les formes de saisie du monde. Michel Mazzoni
ArchiRAAR, Bruxelles. DÉRIVE (with Sébastien Delvaux). 03.12.2016 > 07.01.2017.
Frederic Collier, Bruxelles. SILENT NOISE OF A RAY. 15.11.2017 > 23.12.2016.
Galerie OMS Pradhan, Bruxelles. TERRA INCOGNITA. 11.11.2016. 18.12.2016.
Filed under: Photographie | Tags: Bruxelles, exhibition, galerie |
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Rinko Kawauchi dévoile une série de quarante photographies réalisées dans les environs de Kumamoto une ville du sud du Japon. L’originalité du projet réside dans le fait qu’elle ait demandé à des habitants de la région de lui révéler un endroit particulièrement important pour eux, un endroit de mémoire, chargé de souvenirs.
Meessen-De Clercq, Bruxelles. 18.11.2016 > 24.12.2016.