BREAKING AND ENTERING

Filed under: Art contemporain | Tags: , , |

Nick van Woert believes in the semantics of material. Common materials are imbued with meaning through our daily relationship to them outside of the context of Art.

Yvon Lambert Gallery, New York. 26.02.2011 > 06.04.2011.


MARIJN VAN KREIJ — THE PASSENGER

Filed under: Art contemporain, Peinture - Illustration, Photographie | Tags: , |

Paul Andriesse presents new works by Marijn van Kreij, entitled The Passenger, a reference to the famous song from 1977 by Iggy Pop. Besides video’s and prints the installation comprises drawings and paintings on paper. For the second space of the gallery Marijn van Kreij selected works by artists from different generations that somehow relate to his own practice and ideas.

Selection of Websites: Gwenneth Boelens, Bas Van Den Hurk and Jan Van De Pavert.

Paul Andriesse Gallery, Amsterdam. 05.02.2011 > 19.03.2011.


POV FEMALE LONDON

Filed under: Graphisme, Photographie | Tags: , |

POV FEMALE is a publishing project by Damien Poulain that brings together a diverse group of young female photographers in a collection of monographs. The first monographs are on: Briony Campbell, Tara Darby, Rasha Kahil, Bronwen Parker-Rhodes and Charlotte Player.

KK Outlet, Londres. 22.02.2011.


CHEZ EDGAR — DANS LE MAGASIN

Filed under: Art contemporain | Tags: , , |

Chez Edgar quitte ses appartements et s’établit à Rouen, le temps d’une exposition Dans le magasin. Sélection de sites Internet: John Cornu, Josué Rauscher et Stéphane Vigny.

Störk Galerie, Rouen. 17.02.2011 > 02.04.2011.


OPEN STUDIO AT HET WILDE WETEN

Filed under: Art contemporain, Graphisme, Peinture - Illustration, Photographie, Vidéo – Film | Tags: , |

Participating artists are Jan AdriaansMarijke Appelman, Jetske de Boer, Jeroen BoschKim BouvyMarielle BuitendijkAnouk GriffioenSannetje van HaarstBoris van HoofMarcha van den HurkSimon KentgensEsther KokmeijerAngel de la RubiaElian SomersAaike Stuart and Kim Zieschang.

Het Wilde Weten, Rotterdam. 12.02.2011.


ANTI-PHOTOGRAPHY

Filed under: Art contemporain, Photographie | Tags: , |





Anti-Photography’ brings together a selection of historic and contemporary works exploring and challenging our understanding of the medium of photography. Curated by Duncan Wooldridge.

Selection of websites: Mel Bochner, Adam Broomberg & Oliver Chanarin, David Raymond Conroy, Mario Garcia Torres, Sherrie Levine, Sara MacKillop, Ed Ruscha, Joachim Schmid, John Stezaker, Wolfgang Tillmans, and James Welling.

Focal Point gallery, Southend-on-Sea, Essex. 17.01.2011 > 02.04.2011.


EXHIBITION OF DISTANCES

Filed under: Art contemporain | Tags: , , |

A working hypothesis: it can function metaphorically. With works and contributions by: Jesse Ash, Pierre Bismuth, Yoann Gourmel & Elodie Royer, Angie Keefer & Snowden Snowden, Christian Kobald, Elena Narbutaite and Paul Sietsema.

Tulips & Roses, Bruxelles. 02.02.2011 > 26.02.2011


MORRENS & DE BOE PRESENT II

Filed under: Art contemporain, Peinture - Illustration, Photographie | Tags: , |

L’exposition « II » pose notamment, de différentes manières, la question de la paternité (ou de l’auteurité) d’une exposition. Puisque les concepteurs, Rik de Boe et Peter Morrens, sont avant tout des plasticiens, une forme « alternative » de présentation est-elle envisageable ?

Sélection de sites Internet: Ruben Bellinkx, Jens Brand, William Lamson, Marc Nagtzaam, Catherine Ross, Tim Ryckaert, Sarah & Charles, Beate SpalthoffBatia SuterHerman Van IngelgemRinus Van de Velde & Leen Voet.

Les Brasseurs, Liège. 05.02.2011 > 19.03.2011.


CORPS — MACHINE

Filed under: Photographie | Tags: , |

Yves Gellie’s choice of humanoids as research subject allowed him to explore fundamental differences in the relations between men and robots in the eastern and western worlds.

Séminaire ERG, Bruxelles. 02.02.2011 > 04.02.2011.


THE UNRELIABLE NARRATOR

Filed under: Art contemporain, Photographie | Tags: , , |

The prints Geert Goiris (Bornem, 1971) exhibits under the title ‘The Unreliable Narrator’ — a selection of older as well as newer works — seems to invert this classic starting position: photography does not make an actuality visible, but rather indicates the inevitable human presence in that actuality.

Galerie Catherine Bastide (NEW SPACE), Brussels. 09.02.2011 > 09.04.2011.