ELLES SE RENDENT PAS COMPTE & OBJECTS

Filed under: Art contemporain, Photographie | Tags: , , |

With Objects, Armand Yerly invites us to go in search of the strange beauty that has developed from the unintentional clash between natural evolution and industrial production. Elles se rendent pas compte explains and underscores the functional and poetic value of any and every installation.

Hauser Gallery, Zürich. 26.01.2013 > 09.03.2013.


LE BLEU DU CIEL EST SANS POURQUOI

Filed under: Art contemporain, Peinture - Illustration | Tags: , , |

Trois séries de dessins, surprenantes de précision, de finesse et d’audace, sont au centre de la première exposition solo en Belgique de l’artiste français Romain Cadilhon.

RossiContemporary, Bruxelles. 23.02.2013 > 13.04.2013.


DRIFT

Filed under: Photographie | Tags: , , |


L’univers de Michel Mazzoni «est fait de lieux communs qu’il transfigure en fausses architectures du futur. Cela peut nous faire penser aux ambiances cinématographiques de Tarkovski, d’Antonioni, de David Lynch, aux nouvelles de Ballard, pour ne citer qu’eux. D’ailleurs, l’exposition « Drift » lance les pistes d’une certaine narrativité, d’une forme fictionnelle.» — Valery Poulet / 2013

anyspace, Bruxelles. 26.01.2013 > 02.03.2013.


SIMPLE PRESENT

Filed under: Art contemporain, Photographie | Tags: , , |

“The bizarre cityscapes of Bert Danckaert deal with the same paradox of abstractive simplicity and a complexity of meaning and metaphor. Danckaerts still lives breathe a superficial flavour, a strangeness that is found in the familiar.” Inge Henneman

Stieglitz 19, Anvers. 26.01.2013 > 03.03.2013


BLACK CAKE

Filed under: Art contemporain, Photographie | Tags: , |

Black Cake is an inter-generational exhibition that examines artists’ use of sweetness across mediums and treatments. In common speech sweetness conveys authenticity, warmth, conviviality or affirmation; or just as likely, a certain dumbness, vacuousness and opacity. Selection of Websites: Steffani JemisonRyan McGinley, Calla Henkel & Max Pitegoff and Sterling Ruby.
(curated by Alex Gartenfeld)

team (gallery, inc.), New York. 10.01.2013 > 16.02.2013.


CONSTELLATION OF FORMS & PROCESSES

Filed under: Art contemporain | Tags: , , |

Carte blanche à Amélie Laplanche. Rather than an exhibition in the sense of a space in which something is presented, Constellation of Forms & Processes attempts to create a space for discussion. With Manuel Burgener, Lorna Macintyre & Freek Wambacq.

Galerie Catherine Bastide, Bruxelles. 16.11.2012 > 19.01.2013.


DREI — 3 EXHIBITIONS

Filed under: Art contemporain, Peinture - Illustration, Photographie | Tags: , , |

All three separate exhibition projects (Samantha BohatschAlice Guareschi and Rowena Harris) currently on display at DREI are based on the idea of impro theatre.

DREI, Cologne. 04.11.2012 > 12.01.2013.


DOCUMENTS TRAVAILLÉS

Filed under: Art contemporain, Peinture - Illustration, Photographie | Tags: , |

Thomas Bernardet archives photographs in files that he calls “Documents de travail”, it’s a sort of re-interpretation of Eugene Atget’s “Documents pour artistes”.

MOT International, Bruxelles. 17.11.2012 > 19.01.2013.


VEIL OF THE INVISIBLE ONE

Filed under: Art contemporain, Peinture - Illustration | Tags: , |

Manor Grunewald solo exhibition in Brussels. « The way I see is a little like the way a blind man taps along the street: he knows just that one spot where his cane touches down, and he hopes he can pretty much guess the rest. »
James Elkins, The object that stares back, On the nature of seeing, Looking away and seeing too much, A Harvest Book Harcourt, New York, 1997.

Ricou Gallery, Bruxelles. 29.11.2012 > 26.01.2013


PROVING THINGS

Filed under: Art contemporain, Photographie | Tags: , , |

The work Proving Things deals with the search for traces as a method. By creating various experimental assemblies in the form of images and objects, Steffen Bunte adresses the topic of exploring structure and shapes.

Galerie Jeanroch Dard, Paris. 01.12.2012 > 08.01.2013.