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Known for small-scale figurative works that combine academic technique and a quick, sketch-like style, Salman Toor offers intimate views into the imagined lives of young, queer Brown men residing between New York City and South Asia.
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Photography is in the center of Lulay Lulay’s artistic production and research, but more than producing photographs herself she is interest in the role that photography plays in our everyday life’s.
Leyendecker, Santa Cruz de Tenerife. 16.10.2020 > 27.11.2020.
— Radek Brousil est l’auteur de nombreuses installations, travaillant principalement avec les tissus, mais aussi avec la céramique, film, photographie et vidéo. Il traite les sujets de témoignage de société, présentant ainsi une expression activiste sur un avenir incertain. L’exposition “Cry into your beer” est conçue en collaboration avec Martin Groch.
Komplot, Bruxelles. (05.11.2020 > 14.11.2020) POSTPONED to 01.01.2021.
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“A Starting point – in the middle of the room – waves move outwardly then inward, reverberating. An echo chamber, a bottomless pit of bouncing sound effects spun into the act of making paintings. Reflections of themselves caught inside an enclosed space, rebound. As echoes time travel, resounding from wall to wall, space is navigated through the paintings, and so on.” Steven Jouwersma
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Organized in collaboration with the Joan Mitchell Foundation, the exhibition I carry my landscapes around with me—which span four decades of Mitchell’s career—will allow for a unique opportunity to explore the range of scale and formal experimentation of this innovative facet of her oeuvre.
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Using sculpture, painting, sound, video, and live performance, Donna Huanca forges interplay between multisensory art, the Baroque architecture, and participants. Curator: Stella Rollig
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Comme à son habitude, Folkert de Jong utilise des sources historiques mais pour mieux les manipuler dans une histoire politique contemporaine. La manipulation est aussi bien formelle que symbolique.
— Kader Attia who has dedicated himself to research into the power relationships that continue to affect the post-colonial world, reflecting on the processes of domination that pass through the urban space and the way in which the migrant body is affected and politicised. Using documentary film, sculpture, collage and the construction of environmentally intense installations, his work dialogues with the memory of modern architecture in Africa, its appropriation through this of the history of the local and vernacular architecture and its continued repressive interference in the lives of the population.
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