Filed under: Photographie | Tags: Amsterdam, exposition |
The exhibition revolves around a single old analogue photo. This picture does not actually appear in the presentation, rather Joris Jansen uses word and image to analyse all the information conveyed by the photo. The result is a kind of encyclopaedia of everything relating to the photo.
Foam, Amsterdam. 15.01.2011 > 23.03.2011.
Filed under: Art contemporain, Photographie | Tags: exposition, galerie, Hambourg |
Le travail de Markus Uhr s’attache aux phénomènes singuliers et imperceptibles qui surgissent furtivement dans la vie quotidienne et qui peuvent constituer des rencontres décisives.
Robert Morat Galerie, Hambourg. 22.01.2011 > 19.03.2011.
Filed under: Art contemporain | Tags: exposition, galerie, New York |
Nick van Woert believes in the semantics of material. Common materials are imbued with meaning through our daily relationship to them outside of the context of Art.
Yvon Lambert Gallery, New York. 26.02.2011 > 06.04.2011.
Filed under: Art contemporain | Tags: exposition, galerie, Rouen |
Chez Edgar quitte ses appartements et s’établit à Rouen, le temps d’une exposition Dans le magasin. Sélection de sites Internet: John Cornu, Josué Rauscher et Stéphane Vigny.
Störk Galerie, Rouen. 17.02.2011 > 02.04.2011.
Filed under: Art contemporain, Photographie | Tags: exposition, galerie |
Anti-Photography’ brings together a selection of historic and contemporary works exploring and challenging our understanding of the medium of photography. Curated by Duncan Wooldridge.
Selection of websites: Mel Bochner, Adam Broomberg & Oliver Chanarin, David Raymond Conroy, Mario Garcia Torres, Sherrie Levine, Sara MacKillop, Ed Ruscha, Joachim Schmid, John Stezaker, Wolfgang Tillmans, and James Welling.
Focal Point gallery, Southend-on-Sea, Essex. 17.01.2011 > 02.04.2011.
Filed under: Art contemporain | Tags: Bruxelles, exposition, galerie |
A working hypothesis: it can function metaphorically. With works and contributions by: Jesse Ash, Pierre Bismuth, Yoann Gourmel & Elodie Royer, Angie Keefer & Snowden Snowden, Christian Kobald, Elena Narbutaite and Paul Sietsema.
Tulips & Roses, Bruxelles. 02.02.2011 > 26.02.2011
Filed under: Art contemporain, Peinture - Illustration, Photographie | Tags: exposition, Liège |
L’exposition « II » pose notamment, de différentes manières, la question de la paternité (ou de l’auteurité) d’une exposition. Puisque les concepteurs, Rik de Boe et Peter Morrens, sont avant tout des plasticiens, une forme « alternative » de présentation est-elle envisageable ?
Sélection de sites Internet: Ruben Bellinkx, Jens Brand, William Lamson, Marc Nagtzaam, Catherine Ross, Tim Ryckaert, Sarah & Charles, Beate Spalthoff, Batia Suter, Herman Van Ingelgem, Rinus Van de Velde & Leen Voet.
Les Brasseurs, Liège. 05.02.2011 > 19.03.2011.
Filed under: Art contemporain, Photographie | Tags: Bruxelles, exposition, galerie |
The prints Geert Goiris (Bornem, 1971) exhibits under the title ‘The Unreliable Narrator’ — a selection of older as well as newer works — seems to invert this classic starting position: photography does not make an actuality visible, but rather indicates the inevitable human presence in that actuality.
Galerie Catherine Bastide (NEW SPACE), Brussels. 09.02.2011 > 09.04.2011.
Filed under: Art contemporain | Tags: exposition, galerie, Londres |
Stretching across the various disciplines of visual art, Matt Golden‘s work calls to mind Carl Andre and the minimalist love of making art out of what should not be art. His actions result from using materials to hand, though his interventions are based on an internal logic – the idea that the materials themselves suggest what transformation they could undergo. Through slight subversions his single element works become resituated in the world.
BISCHOFF/WEISS, Londres. 25.02.2011 > 02.04.2011.
Filed under: Art contemporain, Peinture - Illustration, Photographie | Tags: exposition, Seattle |
Ruth van Beek collects random snapshots, slides and family albums and cuts pictures from newspapers and old books. Together these collected images form an archive in which pictures are arranged in constantly changing ways. Sometimes based on their subject matter, other times based on material, appearance, story or even coincidence.
Philip Miner makes similar aesthetic choices. In his paintings, he draws inspiration from the media and popular culture, as well as personal photographs, design, and art history.
Season, Seattle. Winter exhibition on appointment.