CHASING A GHOST

Filed under: Art contemporain, Spectacle | Tags: , |

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Alexandra Bachzetsis draws from histories of art, music, cinema, popular culture and fashion, and projects them onto the body. Challenging the choreographic archetype of the duet, Chasing a Ghost stages these doubles within a spectrum of violence and desire.

MUDAM, Luxembourg. 25.09.2020 > 26.09.2020.


CROOKED POSITIONS

Filed under: Art contemporain, Sculpture | Tags: , |

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A duo show with Charlotte vander Borght and Felix Kindermann.

Deborah Bowmann, Brussels. 03.09.20 > 03.10.20
(Public Preview 22.06.2020 > 28.06.2020, 2 – 8PM)


TODAY IS THE FIRST DAY

Filed under: Art contemporain, Photographie, Vidéo – Film | Tags: , , |

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WIELS inaugurates 2020 with the first large-scale solo exhibition in Belgium of the artist Wolfgang Tillmans. Exhibited over two floors, Today Is The First Day presents work by the artist from the past three decades, while opening up onto the latest developments in his practice that will include new photography, sound and video works in a spatial constellation, conceived especially by Tillmans for WIELS. Curators: Devrim Bayar and Dirk Snauwaert. A 512 pages artist book, co-published by IMMA, WIELS and Koenig Books, is available.

WIELS, Brussels. 01.02.2020 – 16.08.2020.


PERMAFROST

Filed under: Art contemporain, Sculpture | Tags: , |

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L’exposition Permafrost se présente comme un paysage changeant, transformant le centre d’art en une expérience immersive. Les artistes y proposent des œuvres, reliques improbables et objets hybrides, liés aux désastres naturels, sociaux ou politiques issus du changement climatique global. Le visiteur se retrouve confronté à la vulnérabilité d’un monde en mutation. Avec Deniz Aktaş, Ozan Atalan, Nina Beier, Dora Budor, Rochelle Goldberg, Eloise Hawser, Max Hooper Schneider, Nicolás Lamas, Pakui Hardware, Michael E. Smith, Laure Vigna.

MO.CO. Panacée, Montpellier. 01.02.2020 > 30.08.2020.


[4th WAB] ECHO CHAMBER

Filed under: Art contemporain, Peinture - Illustration | Tags: , |

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“A Starting point – in the middle of the room – waves move outwardly then inward, reverberating. An echo chamber, a bottomless pit of bouncing sound effects spun into the act of making paintings. Reflections of themselves caught inside an enclosed space, rebound. As echoes time travel, resounding from wall to wall, space is navigated through the paintings, and so on.”
Steven Jouwersma

nadine, Brussels. 17.07.2020 > 30.07.2020.

THE WEAVER

Filed under: Art contemporain, Sculpture | Tags: , |

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Nourrie par différentes lectures et formations disciplinaires, la pratique de Xavier Antin tend initialement vers deux directions: expérimenter les processus de production des machines visuelles et scripturales et réfléchir au potentiel narratif des formes.

CAC Brétigny, 14.01.2020.—07.03.2020.


THE GAPS IN MY KNOWLEDGES II

Filed under: Art contemporain, Sculpture | Tags: , |

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Dans son apparente simplicité, le travail de Matthew Burbidge regorge de multiples références culturelles et de symboles. Reprenant l’exposition The Gaps in my Knowledge et l’augmentant de nouveaux chapitres, The Gaps in my Knowledge II est envisagée comme une chorégraphie où les sculptures et les peintures se présenteront dans différents agencements successifs .

La Salle de bains, Lyon. 07.02.2020 > 29.02.2020.


SEPUYA IN LONDON

Filed under: Art contemporain, Photographie | Tags: , |

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As part of Condo, Modern Art presents a solo exhibition of work by Paul Mpagi Sepuya, in collaboration with Team Gallery. This will be the first solo exhibition of Sepuya’s work in the UK.

Condo London 2020. 11.01.2020 > 15.01.2020.


SLOWER THAN SLOWLY

Filed under: Art contemporain, Sculpture | Tags: , , |

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Humour is as crucial a vehicle to Yuko Mohri’s work as is the slower than fast, stepped-down-speed, at which things swing, circulate or dim and brighten in her fluid sculptures.

mother’s tankstation, Dublin. 11.09.2019 > 07.12.2019.


A HISTORY OF MY PLEASURE

Filed under: Art contemporain, Photographie, Sculpture | Tags: , |

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“This is a show about that lateral, first person perspective; it is about the making flat of something fleshy and the making subject of sight through touch.” – Carmen Winant

14a, Hamburg. 17.10.2019 > 05.12.2019.