LIVE DEAD WORLD

Filed under: Art contemporain, Photographie, Sculpture | Tags: , , |

altblog – Gabriele Beveridge
Gabriele Beveridge’s materials frequently derive from sites of commerce, particularly those where we prepare and process our bodies, or more accurately where we pay others to perform labour on our surfaces. Display and presentation are persistent themes throughout the practice. Beveridge includes found photographic imagery, cropped posters and promotional material found in hair and nail salons, alongside photograms which are a new addition to the artist’s lexicon.

Seventeen, London. 03.11.2018 > 15.12.2018.


PIEDRA QUEMADA

Filed under: Peinture - Illustration, Sculpture, Vidéo – Film | Tags: , |

Donna Huanca. Piedra Quemada
Using sculpture, painting, sound, video, and live performance, Donna Huanca forges interplay between multisensory art, the Baroque architecture, and participants. Curator: Stella Rollig

Lower Belvedere, Wien. 28.09.2018 > 06.012019.


WORMWOOD

Filed under: Art contemporain, Peinture - Illustration, Sculpture | Tags: , |

m4aYgpzw
Comme à son habitude, Folkert de Jong utilise des sources historiques mais pour mieux les manipuler dans une histoire politique contemporaine. La manipulation est aussi bien formelle que symbolique.

Valentin, Paris. 13.10.2018 > 08.12.2018.


THE EVIL EYE

Filed under: Art contemporain, Vidéo – Film | Tags: , , |

altblog – Clement Cogitore
Avec l’installation The Evil Eye conçue pour le Prix Marcel Duchamp, Clément Cogitore aborde une relation aux images et aux grands récits fondée sur l’emploi de vidéos issues des banques d’images (Getty, Shutterstock…), grandes pourvoyeuses de formes destinées aux fins publicitaires et télévisuelles les plus diverses. Entièrement réalisées à partir d’images pré-existantes et tournées sur fond vert, les scènes anonymes de The Evil Eye opèrent une sommation de postures stéréotypées, de gestuelles génériques adaptables à l’envi sur des décors ajoutés en postproduction. En bas de l’écran, les numéros de référencement des images apparaissent tels des codes-barres.

Centre Pompidou, Paris. 10.10.2018 > 31.12.2018.
BOZAR, Bruxelles. Rencontre avec Clément Cogitore, 14.11.2018, 20:00. (JAP.be)


ARCHIPELAGO ACT II

Filed under: Collaboration | Tags: , |

05_tlonprojects_2018-11_gm_9742_canonical
The exhibition Archipelago — A Problem (On Exactitude in Science) centres around a fictitious, mental archipelago where a group of mathematicians, geologists, cartographers and other scientists try to index the measurable facets and phenomenological manifestations that they uncover during their research expedition. With Anna Betbeze, Karl Blossfeldt, Etienne ChambaudDaniel Gustav CramerCevdet ErekDominique Gonzalez-Foerster, Irene KopelmanGabriel KuriNicolás Lamas, Jochen Lempert, Benoît Maire, Jean Painlevé, Oscar Santillán, Michael E. Smith, Francisco Tropa, Joëlle Tuerlinckx and Jorinde Voigt. Curated by Niekolaas Johannes Lekkerkerk. More info via TLÖN PROJECTS

Parts Project, Den Haag. 04.11.2018 > 23.12.2018.


ROOTS ALSO GROW IN CONCRETE

Filed under: Art contemporain, Peinture - Illustration, Sculpture | Tags: , |

altblog — Kader Attia — macval
Kader Attia who has dedicated himself to research into the power relationships that continue to affect the post-colonial world, reflecting on the processes of domination that pass through the urban space and the way in which the migrant body is affected and politicised. Using documentary film, sculpture, collage and the construction of environmentally intense installations, his work dialogues with the memory of modern architecture in Africa, its appropriation through this of the history of the local and vernacular architecture and its continued repressive interference in the lives of the population.

Culturgest Fundação Caixa Geral de Depòsitos, Lisbon. 20.10.2018 > 06.01.2019.


ON AIR

Filed under: Art contemporain | Tags: , |

altblog – studiotomassaraceno
Carte Blanche to Tomás SaracenoON AIR is an emerging ecosystem that hosts a choreography of multiple voices belonging to human and non-human universes and in which works reveal common, fragile and ephemeral rhythms and trajectories linking these worlds. ON AIR is comprised of the myriad presences, animate and inanimate, that meet and cohabit within it.

Palais de Tokyo, Paris. 17.10.2018 > 06.01.2019.


INDUSTRIAL POEMS

Filed under: Art contemporain, Photographie, Sculpture | Tags: , |

altblog – TR Ericsson
The exhibition is part of “Crackle & Drag,” which is the umbrella title of TR Ericsson’s practice since 2003 and has developed into an inspired chronicle of a rustbelt family in post-industrial America. What begins as a soft, searing, and complex portrait of intimacy and Americana evokes universal themes of love, loss and ephemerality.

Harlan Levey Projects. 06.09.2018 > 15.12.2018.


THIS IS HOW WE BITE OUT TONGUE

Filed under: Art contemporain, Sculpture | Tags: , |

image
Working together since 1995, artist duo Michael Elmgreen (b. 1961, Denmark) and Ingar Dragset (b. 1969, Norway) produce beguiling spatial scenarios that explore social and sexual politics and unveil the power structures embedded in the everyday designs that surround us.

Whitechapel Gallery, Londres. 27.09.2018 >13.01.2019.


RAYON VERT

Filed under: Photographie | Tags: , , |

Rayon_Senta_010
Senta Simond‘s work focuses on an intimate approach to the female body and portraiture. Her photographs feature a circle of acquaintances and respond to existing, and too often clichéd, representation of femininity. You can pre-order the photobook here.

Foam 3h, (Space for young photographers), Amsterdam. 07.09.2018 > 28.10.2018.