Filed under: Photographie | Tags: Brussels, exhibition, galerie |
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This year Galerie Greta Meert celebrates its 30th anniversary. And for exactly 30 years it has collaborated with Thomas Struth. Three series are presented: a selection from historical series of black-and-white street and townscapes, still lives of deceased animals at the Leibniz Institute for Zoo and Wildlife Research (IZW) in Berlin and monumental condensed images of Johnson Space Center in Houston and the Siemens Schaltwerk in Berlin.
Galerie Greta Meert, Brussels. 01.02.2018 > 31.03.2018.
Filed under: Art contemporain, Photographie, Vidéo – Film | Tags: exposition, Florence |
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Working across a variety of mediums including sculpture, installation, photography and video, artists Miguel Fernández de Castro and Lydia Ourahmane both generally address place and landscape, usually the sites of their respective origins; Fernández de Castro’s the Sonoran Desert in Northern Mexico and Ourahmane’s the regions surrounding Oran, Algeria. Some of these sites are visible here through the video in the main gallery and the photographs in the back gallery.
Veda, Florence, Italy – Curated by Cory Scozzari. 16.12.2017 > 02.03.2017.
Filed under: Photographie | Tags: exposition, galerie, Paris |
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De la plus grande île du monde – le Groenland – à l’île de Beauté – la Corse – en passant par les Cyclades, la Sicile, l’Islande, Stromboli, Okinawa, les îles Féroé et Lofoten, Madagascar, la Nouvelle-Guinée, Hokkaido et les Galapagos, les murs de Polka se transforment en archipel. Exposition collective avec les images de Jacob Aue Sobol, Carmelo Bongiorno, Bernard Cantie, Joakim Eskildsen, William Klein, Daidō Moriyama, Claude Nori, Kosuke Okahara, Sebastião Salgado.
polkagalerie, Paris. 23.01.2018 > 03.03.2018.
Filed under: Art contemporain, Photographie, Vidéo – Film | Tags: Bruxelles, galerie |
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« Claude Cattelain aime la sobriété. Il aime dépouiller les formes, les techniques, les matériaux et les délester de tout. » (Extrait de Bis repetita placent de Barbara Forest)
Archiraar, Bruxelles. 24.11.2017 > 20.01.2018.
Filed under: Art contemporain, Photographie, Vidéo – Film | Tags: Chicago, exhibition |
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As an exhibition, Song carries a particular tempo, closer to the time of reading than the time of looking. Alejandro Cesarco creates rhythm in his work by incorporating silences and withholdings: here the moving image works are presented sequentially, gently introducing a pace and flow to the installation and immersing the viewer in an aesthetic that the artist has elsewhere characterized as “muted melodrama.”
The Renaissance Society, Chicago. 18.11.2018 > 28.01.2018.
Filed under: Art contemporain, Photographie | Tags: exposition, galerie, Paris |
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La pratique d’Anouk Kruithof s’inscrit au croisement de la photographie, de la sculpture, de l’installation, du photomontage, des livres d’artistes, du texte, de la performance, de la vidéo et des interventions dans l’espace public. Son langage plastique et son utilisation peu orthodoxe des matériaux brouillent les contextes, produisant des associations déroutantes.
Galerie Escougnou-Cetraro , Paris, 07.10.2017 > 12.11.2017.
Filed under: Art contemporain, Photographie | Tags: exposition, Graz |
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In her work, Özlem Altin draws especially from the comprehensive collection of images and texts that she has intuitively compiled from various sources and, moreover, from her own drawings and photographs. Exhibition folder in pdf. Selected works and exhibition views.
Camera Austria, Graz. 24.09.2017 > 19.11.2017.
Filed under: Art contemporain, Photographie | Tags: booklaunch, édition |
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The challenging project of Bleu is to translate Alix Marie’s three-dimensional approach to photography into book form. Marie’s practice merges sculpture, photography and installation. Her work explores our relationship to bodies and its representation through processes of objectification, fragmentation, magnification and accumulation.
The Horse Hospital, London. Book Lauch + Artist in Conversation with Shoair Mavlian (Assistant Curator, TATE Modern), 19.09.2017
Filed under: Art contemporain, Photographie | Tags: exhibition, galerie |
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For Paul Mpagi Sepuya, his medium is as much about disclosure as concealment, the role of the photographer ultimately one of control. Central to his practice is the undisguised and frequently experimental use of mirrors, which draws the viewer’s attention to the images’ photographic artifice, complicating the experience of looking at a subject, while also engendering a mystifying effect.
team (bungalow), Venice. 17.09.2017 > 22.10.2017.
